Through the Eras

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ARTS & HUMANITIESThrough the Eras
Page 4: ARTS\& HUMANITIESThrough the ErasAn
Page 8: \CONTENTSABOUT THE BOOK . . . . . .
Page 12: ContentsCHAPTER 8: THEATERIMPORTANT
Page 16: About the Booktext and in the gloss
Page 20: \ERA OVERVIEWPROBLEM OF EVIDENCE. I
Page 24: Era Overviewto separate interpretat
Page 28: \CHRONOLOGY OF WORLD EVENTSBy Edwar
Page 32: Chronology of World Eventsfirst Egy
Page 36: Chronology of World Events1158-1027
Page 40: Chronology of World Events747-716 K
Page 44: Chronology of World Events563 Siddh
Page 48: Chronology of World Events353-340 T
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ever constructed. King Khufu’s bu
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OVERVIEWof Architecture and DesignE
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Architecture and Designconditions m
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Architecture and DesignBURIALTombs
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Architecture and DesignBUILDINGSof
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Architecture and DesignCourt of the
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Architecture and DesignFuneral comp
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Architecture and DesignThe Meidum P
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Architecture and DesignBent Pyramid
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Architecture and Designpyramid, tho
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Architecture and DesignThe Giza pyr
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Architecture and DesignHERODOTUS ON
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Architecture and DesignSTATUE NICHE
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Architecture and DesignOld Kingdom
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Architecture and Design0 1 km0 0.5
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Architecture and DesignN0 500 m0 15
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Architecture and Designchange was s
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Architecture and DesignPainted buri
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Architecture and Design— Burial c
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Architecture and DesignEntranceAat
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Architecture and Designa single ent
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Architecture and Designthe Lycopoli
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Architecture and DesignBlack SeaCas
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Architecture and Designenemies. Ced
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Architecture and DesignAerial view
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Architecture and Designthese temple
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Architecture and DesignWooden tools
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Architecture and DesignThis paintin
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Architecture and DesignBuilders mak
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Architecture and DesignHermann Junk
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Architecture and DesignAnonymous, P
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2350-2338 Princess Watetkhethor com
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DanceThe muu-dancers, for example,
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DanceJar with river scene. BROOKLYN
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DanceFemale dancer. BROOKLYN MUSEUM
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DanceTHANKS FOR A GIFT OF A DANCING
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DanceDANCE CAPTIONS FROM THE TOMB O
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Dancedancers form the hewet hierogl
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DanceMUU-DANCERS AS FOUR ROYAL CROW
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DanceDrawing of Iba dance from the
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Dancecapped the façade of his tomb
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3chapter threeFASHIONEdward Bleiber
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FashionRoyal women begin to wear th
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FashionLETTER FROM IRER TO HER MAST
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Fashionsent it already. This papyru
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FashionMEN’SWardrobes: Continuity
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Fashionimpossible if women wore a s
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FashionEgyptologist H. G. Fischer s
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FashionRelief of Amunmose in New Ki
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FashionRelief of Mentuhotep III, sh
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FashionOn the left, a crown made of
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FashionTemple relief of Ramesses II
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FashionSEMI-PRECIOUSStones—Import
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FashionSingle strand necklace with
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4chapter fourLITERATUREEdward Bleib
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Literature1352-1332 The king Akhena
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LiteratureDynasty (1539-1292 B.C.E.
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Literaturemar, and pronunciation fr
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LiteratureLimestone statue of a scr
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LiteratureRichard Parkenson and Ste
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Literaturescene is common to a genr
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LiteratureSOURCE: R. B. Parkinson,
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Literaturecontemporary of Ptahsheps
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Literatureauthors wrestle with the
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Literaturerescues him, and Sinuhe i
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LiteratureHyksos from Egypt. This w
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LiteratureVFor when Geb saw how per
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LiteratureEgyptian hieroglyphs whic
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LiteratureVignette from a Book of t
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Literatureever, are always punished
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Literaturereached the window of the
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LiteratureSOURCE: “Teachings of P
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Literaturecomplains to Seqenenre in
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Literaturetional. Because the name
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Evidence suggests the existence of
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ful study of music yields clues int
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MusicTwo views of a limestone statu
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MusicFlutist with a singer snapping
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Musicthousands of years preserves a
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MusicThe harvest song in the tomb o
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MusicWomen playing the harp, lute,
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Musickhener could also be the “ov
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Musicit in place. The lute player w
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Musicwomen learned to play music an
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MusicTHE HYMN TO THE ATENINTRODUCTI
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Musicsound. These musicians and the
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MusicMusicians from Egypt and abroa
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MusicTHE SONG FROM THE TOMB OF KING
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MusicDOCUMENTARYSOURCESin MusicAkhe
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New Kingdom authors Any and Amenemo
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OVERVIEWof PhilosophyCATEGORIES. Ph
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PhilosophySmall statuette of the go
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PhilosophyStanding mummiform statue
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PhilosophyRETURN TO ONE. The Egypti
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Philosophyteaching. Thus it is the
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PhilosophyEGYPTIANMagicThe Egyptian
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PhilosophyGreek and later Roman aut
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PhilosophyASTROLOGYINFLUENCE OF STA
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PhilosophySOURCESErik Hornung, The
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Philosophyleast one son named Au-ib
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7chapter sevenRELIGIONStephen E. Th
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ReligionAn oracle indicates Thutmos
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Religionern observers would call re
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Religionand therefore gain power ov
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Religionof revival associated with
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ReligionPapyrus drawing of the sepa
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ReligionSOURCESJames P. Allen, Gene
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Religioncon, making the king the ea
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Religionish, and kills those conspi
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ReligionThe seven celestial cows an
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Religionand Amun. An inscription fr
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Religionas messengers to proclaim t
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ReligionThe Mammisi, or Birth House
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Religionfinal purification of the c
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Religiontrators. Frequently, priest
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Religionfrom the open forecourt, th
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ReligionDetail of papyrus of Book o
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ReligionSOURCESJoris Borghouts, Anc
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ReligionScenes of agricultural life
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Religion200 days. Once the mummy wa
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ReligionAn illustration of one of t
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Religionworld depict the bas of the
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Religionproverbs, unfortunately now
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elating the story of the death and
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Theateredification and for educatio
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TheaterTHE SHABAKA STONE: THE FIRST
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TheaterSEEKING DRAMAINTRODUCTION: T
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Theatergan in earnest. These prepar
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9chapter nineVISUAL ARTSEdward Blei
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Visual Arts1938-1759 Artists of the
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Visual Artsalways posed with a fore
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Visual ArtsRe. The yellow associate
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Visual ArtsBIRDSin Coffin Text 62Ma
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Visual Artstery was made during the
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Visual ArtsBack of the Narmer Palet
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Visual ArtsSEATED KING. Two limesto
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Visual ArtsStatuette of a male deit
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Visual ArtsStatue of Khafre, wearin
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Visual ArtsStatuette of Queen Ankhn
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Visual ArtsStanding statue of Ity-s
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Visual ArtsRelief of Akhety-hotep.
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Visual Artsof his eye. His shoulder
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Visual ArtsHead from a female sphin
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Visual Artsnamed, though he is only
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Visual ArtsKneeling statue of Senen
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Visual Artssion at least 25 statues
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Visual Artsline that parallels her
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Visual ArtsThe Wilbour Plaque. BROO
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Visual ArtsStela of Akhenaten (left
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Visual ArtsIn the later Eighteenth
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Visual ArtsTUTANKHAMUN’STombThe E
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Visual ArtsSAITE PERIOD. The Twenty
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\GLOSSARYAbacus: Square, flat upper
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GlossaryMemphis: City in Lower (nor
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\FURTHER REFERENCESGENERALRoger Bag
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Further ReferencesB. M. Carter, “
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Further ReferencesCurt Sachs, The R
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\MEDIA AND ONLINE SOURCESGENERALThe
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\A CKNOWLEDGMENTSThe editors wish t
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