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Through the Eras

Edward Bleiberg ed., Ancient Egypt (2675-332 ... - The Fellowship

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Religionbe left plain, or be decorated with scenes from daily life,offering scenes, or scenes of <strong>the</strong> deceased in <strong>the</strong> afterlife.CHAPEL. The chapel could also take different forms.It could be as simple as a stele erected above <strong>the</strong> burial;wealthier individuals could have a chapel of many rooms,usually—but not necessarily—above <strong>the</strong> burial chamber.The focal point of <strong>the</strong> chapel was a stele called a “falsedoor” by Egyptologists, since it represented a door carvedin stone. This door, usually located directly above <strong>the</strong>burial chamber, was thought to be <strong>the</strong> place where <strong>the</strong>ba of <strong>the</strong> deceased could leave and enter <strong>the</strong> burial chamber.In front of <strong>the</strong> door could be found a stone tableon which offerings could be left. The sides of <strong>the</strong> doorwere frequently engraved with <strong>the</strong> text of <strong>the</strong> offeringformula, and it was thought that if any passersby wouldstop and recite <strong>the</strong> formula on behalf of <strong>the</strong> deceased,he would be magically provided with nourishment.Painted relief of a god, in Egyptian tomb, Valley of <strong>the</strong> Kings,Luxor, Egypt. © BOJAN BRECELJ/CORBIS. REPRODUCED BY PERMIS-SION.<strong>the</strong>se two functions. The burial chamber, usually locatedbelow ground, housed and protected <strong>the</strong> body. Aboveground was <strong>the</strong> superstructure, <strong>the</strong> chapel, which servedas <strong>the</strong> public part of <strong>the</strong> tomb and was accessible topriests and visitors.BURIAL CHAMBER. The burial chamber frequentlycontained <strong>the</strong> equipment necessary for a proper burialand a pleasant afterlife. Inside <strong>the</strong> burial chamber was<strong>the</strong> coffin, four canopic jars (containing <strong>the</strong> liver, lungs,stomach, and intestines, which were removed at mummification),shawabti figures (figurines designed to actas stand-ins whenever <strong>the</strong> deceased was called upon todo any work in <strong>the</strong> afterlife), amulets, and texts. Objectsof daily life that were thought necessary for <strong>the</strong> comfortof <strong>the</strong> deceased were also included in <strong>the</strong> burial chamber.These objects included food containers, furniture,tools, games, clothing, and any o<strong>the</strong>r object <strong>the</strong> deceasedcould have used. The walls of <strong>the</strong> burial chamber couldCHAPEL DECORATIONS. The walls of <strong>the</strong> chapelcould be decorated with many types of scenes. Somescenes depicted activities associated with agriculture,such as plowing, planting, and harvesting of crops, and<strong>the</strong> herding of animals. Scenes showing <strong>the</strong> processingof foodstuffs include those of brewing beer and makingbread. Scenes of daily life include such activities as fishingand fowling, boating and boat-jousting matches, and<strong>the</strong> manufacturing of goods such as jewelry, chairs, beds,coffins, pottery, or cloth. O<strong>the</strong>r tombs have representationsof <strong>the</strong> funeral procession with mourners. During<strong>the</strong> First Intermediate Period, chapel walls were rarelydecorated with such scenes. Ra<strong>the</strong>r, small wooden modelsdepicting <strong>the</strong> same types of activities were includedin <strong>the</strong> burials. The purpose of <strong>the</strong> scenes and models was<strong>the</strong> same: to ensure <strong>the</strong> deceased a steady supply of thosegoods he would need in <strong>the</strong> afterlife.MUMMY. The focus of all this effort and activity was<strong>the</strong> mummy (embalmed remains) of <strong>the</strong> deceased. TheEnglish word derives from <strong>the</strong> Persian word mumia,meaning pitch or bitumen. The word was used at leastsince <strong>the</strong> Renaissance to describe <strong>the</strong> embalmed remainsof <strong>the</strong> Egyptians because <strong>the</strong>y appeared to be coveredwith pitch. The practice of mummification may havearisen because of <strong>the</strong> natural drying property of <strong>the</strong>Egyptian sand. The earliest Egyptian burials, from <strong>the</strong>Predynastic Period, were simply shallow pits on <strong>the</strong>desert’s edge. The heat combined with <strong>the</strong> sand servedto dry out <strong>the</strong> body’s tissues before <strong>the</strong>y could decompose,leaving a considerably lifelike appearance. With <strong>the</strong>introduction of more elaborate tombs, however, <strong>the</strong>body was no longer buried in <strong>the</strong> sand, and as a resultquickly decomposed. Consequently, various attempts240 Arts and Humanities <strong>Through</strong> <strong>the</strong> <strong>Eras</strong>: Ancient Egypt (2675 B.C.E.–332 B.C.E.)

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