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Through the Eras

Edward Bleiberg ed., Ancient Egypt (2675-332 ... - The Fellowship

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Visual ArtsRELIEF SCULPTURE. Relief sculpture of <strong>the</strong> earlyEighteenth Dynasty followed Middle Kingdom modelsyet changed certain proportions in a way that makes itpossible to recognize <strong>the</strong>m as products of <strong>the</strong> later period.The Funerary Stela of Senres, for example, depicts<strong>the</strong> deceased Senres with his wife Hormes, seated beforean offering table. The pose dates to <strong>the</strong> Old Kingdom.Senres’ short hairstyle with rows of curls and his ear atan odd angle are based on Middle Kingdom models.Hormes wears a simple hairstyle that divides her hairinto three sections arranged over <strong>the</strong> back and on ei<strong>the</strong>rside in <strong>the</strong> front. This so-called tri-partite hairstyle is veryancient, dating at least to <strong>the</strong> Old Kingdom. He wearsa simple wraparound kilt with an apron. She wears <strong>the</strong>sheath dress with a strap. Their faces also reflect MiddleKingdom models. The forms of <strong>the</strong>ir mouths, withsquared ends, particularly are reminiscent of earlier periods.The proportions of <strong>the</strong>ir bodies, however, place<strong>the</strong> stela firmly in <strong>the</strong> Eighteenth Dynasty. Their torsosare long and slender as are <strong>the</strong>ir arms. These characteristicsare typical of <strong>the</strong> later period.NEW SUBJECTS. Hatshepsut’s Mortuary Temple atDeir el Bahri contains relief with innovative subjectmatter created in <strong>the</strong> same style that recalls <strong>the</strong> MiddleKingdom. Hatshepsut ordered an expedition to Punt(modern Somalia) to bring back incense that <strong>the</strong> Egyptiansused in religious rituals. In her temple, <strong>the</strong> variousstages of <strong>the</strong> expedition were illustrated in a series ofreliefs. They include scenes of sailing on <strong>the</strong> Red Sea,arrival in Punt, <strong>the</strong> people of Punt, <strong>the</strong> unusual housingelevated on stilts, cutting trees that produced incense,and potting <strong>the</strong>m to return to Egypt. Artists must haveaccompanied <strong>the</strong> expedition where <strong>the</strong>y recorded manydetails that found <strong>the</strong>ir way into <strong>the</strong> reliefs. This is <strong>the</strong>earliest preserved example of an historical subject inEgyptian art. Such historical reliefs were later includedin temple decoration, though <strong>the</strong> subject matter in <strong>the</strong>later temples was war.Standing statuette of Lady Tuty. BROOKLYN MUSEUM OF ART,54.187, CHARLES EDWIN WILBOUR FUND. REPRODUCED BY PER-MISSION.EARLY NEW KINGDOM PAINTING. Painting revivedin <strong>the</strong> early Eighteenth Dynasty along with <strong>the</strong> o<strong>the</strong>rvisual arts. During <strong>the</strong> previous Hyksos period, <strong>the</strong>re areno good examples of painting. Artists drew inspirationfrom <strong>the</strong> Middle Kingdom in painting just as <strong>the</strong>y hadin sculpture and relief. A fragment called Painting of aWoman represents <strong>the</strong> difficulties in distinguishing MiddleKingdom painting from early Eighteenth-dynastyexamples. A woman kneels before a table holding a lotusflower. She wears her hair in <strong>the</strong> tri-partite style andwears a wraparound dress with one strap. Only <strong>the</strong> detailsof her face help in dating this fragment. Like manyMiddle Kingdom faces, she wears an extended cosmetic298 Arts and Humanities <strong>Through</strong> <strong>the</strong> <strong>Eras</strong>: Ancient Egypt (2675 B.C.E.–332 B.C.E.)

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