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Through the Eras

Edward Bleiberg ed., Ancient Egypt (2675-332 ... - The Fellowship

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Architecture and DesignThe columned court of <strong>the</strong> temple of Luxor. © BETTMANN/CORBIS.barque was accompanied by soldiers, dancers, and singerswho provided part of <strong>the</strong> spectacle of <strong>the</strong> procession. InRamesses III’s time <strong>the</strong> temples distributed to <strong>the</strong> people11,341 loaves of bread, 85 cakes, and 385 jars of beerduring each day of <strong>the</strong> festival. During Hatshepsut’sreign <strong>the</strong> procession returned to Karnak from Luxor bywater, sailing on <strong>the</strong> Nile.LUXOR TEMPLE: WOMEN’S QUARTERS OF AMUN’SESTATE. The present Luxor temple, built by AmenhotepIII and expanded by Rameses II, represented <strong>the</strong>women’s quarters in Amun’s estate. The Egyptians calledit ta-ipet, “<strong>the</strong> harem.” During <strong>the</strong> Opet Festival, <strong>the</strong>Egyptians celebrated <strong>the</strong> divine birth of <strong>the</strong> king at thislocation. This divine birth provided a religious explanationfor how <strong>the</strong> king could be both a human and <strong>the</strong>genetic son of <strong>the</strong> god Amun. The Egyptians visualized<strong>the</strong> genetic relationship literally, as attested in reliefs fromboth Deir el Bahri and <strong>the</strong> Luxor temple. They believedthat <strong>the</strong> spirit of Amun inhabited <strong>the</strong> king’s human fa<strong>the</strong>rat <strong>the</strong> moment of conception, an act ritually recreatedin <strong>the</strong> Luxor temple by <strong>the</strong> king with a livingwoman, probably <strong>the</strong> queen, annually during <strong>the</strong> OpetFestival. Moreover, <strong>the</strong> act of conception, in Egyptianthought, conveyed a spirit called <strong>the</strong> royal ka into <strong>the</strong>fetus of <strong>the</strong> unborn king. Amun created <strong>the</strong> royal ka aspart of his essence that gave <strong>the</strong> child possessing <strong>the</strong> royalka a legitimate right to rule Egypt. The festival also reinfused<strong>the</strong> royal ka in <strong>the</strong> living king. This festival was<strong>the</strong> main purpose of <strong>the</strong> inner rooms of <strong>the</strong> Luxor temple.The king was part of <strong>the</strong> god’s procession from Karnakto Luxor. The king <strong>the</strong>n entered <strong>the</strong> inner rooms at<strong>the</strong> temple and mystically re-enacted both his own conceptionand his rejuvenation by absorbing <strong>the</strong> royal ka.Perhaps <strong>the</strong> best illustration of <strong>the</strong> way this helped <strong>the</strong>king is found in King Horemheb’s coronation at Luxor.Horemheb was <strong>the</strong> second general to become king at <strong>the</strong>end of <strong>the</strong> Eighteenth Dynasty after <strong>the</strong> last royal heir,Tutankhamun, died. Horemheb merged his coronationwith <strong>the</strong> Festival of Opet, infusing his originally nonroyalself with <strong>the</strong> royal ka, and thus becoming <strong>the</strong> legitimateking.LINKING EAST AND WEST THEBES. In general,Amun’s living quarters were on <strong>the</strong> east bank of <strong>the</strong> Nileat Thebes. On <strong>the</strong> west bank of <strong>the</strong> river, associated with<strong>the</strong> land of <strong>the</strong> dead, lived o<strong>the</strong>r forms of Amun inhabitedby <strong>the</strong> spirits of deceased kings. All of <strong>the</strong> Eighteenth-dynastykings built temples on <strong>the</strong> west bank thatEgyptologists have called mortuary temples. In realityArts and Humanities <strong>Through</strong> <strong>the</strong> <strong>Eras</strong>: Ancient Egypt (2675 B.C.E.–332 B.C.E.) 51

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