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Through the Eras

Edward Bleiberg ed., Ancient Egypt (2675-332 ... - The Fellowship

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Visual ArtsA fragment of a wall painting found in <strong>the</strong> tomb of Nebamunin Thebes showing a pool full of ducks, lotus flowers, andtilapia fish. These symbols, particularly <strong>the</strong> tilapia fish, are richsymbols of rebirth and new life. © THE BRITISH MUSEUM/TOPHAM-HIP/THE IMAGE WORKS.ROLE OF MEN. Men are generally active ra<strong>the</strong>r thanpassive in tomb representations. In Old Kingdom andMiddle Kingdom tombs, <strong>the</strong> deceased reaches for offeringsat <strong>the</strong> offering table or inspects agricultural laborersor workshops under his control. Artists also oftendepicted men hunting birds or fishing. They wear looseclothing and are quintessentially <strong>the</strong> active principal inlife. These roles correspond to an Egyptian view of menactively winning a place for <strong>the</strong>mselves in <strong>the</strong> afterlife.ROLE OF WOMEN. The importance of women inEgyptian society is often conveyed in artwork found intemples and tombs. The role of <strong>the</strong> woman in Egypt wasthat of life-giver and supporter. Hence, <strong>the</strong> emphasis inart was on <strong>the</strong>ir role as mo<strong>the</strong>rs. Because of this, womenwere often depicted wearing little or no clothing. Theartist’s intention was not to portray eroticism but ra<strong>the</strong>rto symbolize reproduction—all people come into <strong>the</strong>world without clothing, and hence <strong>the</strong> idea of nudity isconnected to that of birth. Due to <strong>the</strong>ir connection withbirth, women are most often found depicted on tombs,for <strong>the</strong> Egyptians considered <strong>the</strong> tomb a means to rebirthinto <strong>the</strong> next world. Yet women represented intombs could also hold o<strong>the</strong>r meanings. When labeledwith <strong>the</strong>ir name in hieroglyphs, a figure of a womancould represent an individual wife, daughter, or cousin.Many women represented in one tomb could be a meansfor a man to emphasize his wealth. Both <strong>the</strong>se roleswould be important to <strong>the</strong> deceased in addition to <strong>the</strong>overall conception of women as <strong>the</strong> source of rebirth.DAILY LIFE. In conjunction with how women andmen were portrayed individually, much can be learnedfrom <strong>the</strong> different scenes that artists chose to portray.Daily life scenes of craftsmen and of peasants engagedin agricultural tasks had a deeper meaning than <strong>the</strong> tasksportrayed. These scenes functioned at a literal level, butalso represent a way of structuring life. Artists chose someactivities to represent status and wealth in tombs whileo<strong>the</strong>r activities were left out of art altoge<strong>the</strong>r. This selectionwas purposeful. Craftsmen and peasants were alwaysportrayed at <strong>the</strong>ir most productive for <strong>the</strong> benefit of <strong>the</strong>owner of <strong>the</strong> art. Though Egyptologists depend on <strong>the</strong>sescenes for knowledge of all kinds about ancient Egypt,artists had no interest nor intention of providing an illustratedguide to Egyptian life when <strong>the</strong>y decorated templesand tombs. Ra<strong>the</strong>r agricultural scenes of peasants workingin <strong>the</strong> fields stress <strong>the</strong> owner’s status and distinctionin <strong>the</strong> physical world. They also provide a permanentsupply of provisions for <strong>the</strong> next world. In addition, <strong>the</strong>yfunction symbolically to depict <strong>the</strong> passage of <strong>the</strong> seasonsof <strong>the</strong> year and thus <strong>the</strong> continuation of life for <strong>the</strong>deceased spirit. The flax harvest painted in a tomb suggestsan abundance of linen clothing for <strong>the</strong> deceased.Scenes of manufacturing jewelry guarantee that <strong>the</strong> tombowner will have jewelry in <strong>the</strong> next world.FISHING AND FOWLING. Scenes of fishing and fowling(bird hunting) in <strong>the</strong> marsh with <strong>the</strong> tomb ownerand his family in attendance are one of <strong>the</strong> most commonscene types in Egyptian tombs and households. Yetit seems unlikely that <strong>the</strong>se scenes depict only a familyouting. Scenes of a nobleman fishing or hunting birdsare very ancient, beginning in <strong>the</strong> Old Kingdom. Bothkings and officials included <strong>the</strong>m in <strong>the</strong>ir tombs. Usually<strong>the</strong> male figure actively fishes with a harpoon orhunts birds with a boomerang-like throw-stick. His wifeis at his side and usually a child accompanies <strong>the</strong> family.They are all dressed in <strong>the</strong>ir most elaborate linenclothing. Often <strong>the</strong>y are in a small papyrus boat. Theirclothing is clearly too elaborate for <strong>the</strong> activity that engages<strong>the</strong>m. The clothing, thus, must reveal <strong>the</strong>ir statusra<strong>the</strong>r than a true picture of <strong>the</strong> way <strong>the</strong>y would dressfor a day of fishing or hunting. Additionally, <strong>the</strong> boat isboth too small and too unstable to be <strong>the</strong> sort of boatused for a family outing. A child could easily capsize it.The boat, <strong>the</strong> most archaic type of woven papyrus boat,has symbolic meaning of transition and toge<strong>the</strong>rness.The Egyptologist Gay Robins speculated that scenes offishing and bird hunting represent <strong>the</strong> deceased as Osiris.In Coffin Text 62, Osiris claims he will have thousandsof birds available in <strong>the</strong> next world. Whenever Osirishunts with a throw-stick, a thousand birds will fall. Since270 Arts and Humanities <strong>Through</strong> <strong>the</strong> <strong>Eras</strong>: Ancient Egypt (2675 B.C.E.–332 B.C.E.)

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