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Through the Eras

Edward Bleiberg ed., Ancient Egypt (2675-332 ... - The Fellowship

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DanceA PRINCE SENDS THE KHENER TO AFUNERALINTRODUCTION: The cycle of stories that Egyptologists referto as <strong>the</strong> Pedubastis Stories contains a localprince’s response to <strong>the</strong> call for participants in a funeralfor a deceased king. This prince instructs hisson to send <strong>the</strong> khener of <strong>the</strong> town, <strong>the</strong> musiciansand dancers, to help with <strong>the</strong> funeral.My son, Pemu, go and see to … <strong>the</strong> troops of<strong>the</strong> eastern country, have <strong>the</strong>m prepared with <strong>the</strong>irgirdles and myrrh, with <strong>the</strong> temple officials, mastersof ceremony and dancers, who frequent <strong>the</strong> embalmingrooms. Let <strong>the</strong>m sail by boat to Per Osiris,let <strong>the</strong>m convey <strong>the</strong> deceased body of Osiris, <strong>the</strong>King Jenharrou to <strong>the</strong> anointing room, have him embalmedand buried and arrange a beautiful, grandfuneral for him such as is being prepared for Hapiand Merwer, <strong>the</strong> king of <strong>the</strong> gods.SOURCE: Irena Lexová, Ancient Egyptian Dances (Mineola,N.Y.: Dover Publications, 2000): 67–68.STORY OF A KHENERINTRODUCTION: The majority of music and dance bureaus,known as “kheners,” were attached to temples,tombs, towns, or <strong>the</strong> homes of wealthyindividuals. The Papyrus Westcar contains a story inwhich a group of goddesses—Isis, Nephthys,Meskhenet, and Heket—and <strong>the</strong> god Khnum disguised<strong>the</strong>mselves as a traveling khener and actedas midwives and servant to <strong>the</strong> birth of triplets whowould later become kings. The fact that deities sawnothing shameful in disguising <strong>the</strong>mselves asdancers suggests that dancers in ancient Egypt enjoyedhigh status.On one of those days Ruddedet felt <strong>the</strong> pangsand her labor was difficult. Then said <strong>the</strong> majesty ofRe, lord of Sakhbu, to Isis, Nephthys, Meskhenet,Heket, and Khnum: “Please go, deliver Ruddedet of<strong>the</strong> three children who are in her womb, who willassume this beneficent office in this whole land.They will build your temples. They will supply youraltars. They will furnish your libations. They will makeyour offerings abundant!”These gods set out, having changed <strong>the</strong>ir appearanceto dancing girls [i.e., a khener], withKhnum as <strong>the</strong>ir porter. When <strong>the</strong>y reached <strong>the</strong>house of Rawoser, <strong>the</strong>y found him standing with hisloincloth upside down. They held out to him <strong>the</strong>irnecklaces and sistra [ceremonial rattles]. He said to<strong>the</strong>m: “My ladies, look, it is <strong>the</strong> woman who is inpain; her labor is difficult.” They said; “Let us seeher. We understand childbirth.” He said to <strong>the</strong>m:“Come in!” They went in to Ruddedet. They locked<strong>the</strong> room behind <strong>the</strong>mselves and her.SOURCE: “The Birth of <strong>the</strong> Royal Children,” in The Oldand Middle Kingdoms. Vol. 1 of Ancient Egyptian Literature.Trans. Miriam Lich<strong>the</strong>im (Berkeley and Los Angeles:University of California Press, 1973): 220.DANCING DWARFS. Egyptian artists often representeda dwarf dancing alongside <strong>the</strong> female troupe ofdancers in funerals and in cult scenes in temples. TheEgyptians distinguished among different physiologicalconditions that led to dwarfism. These conditions includeachondroplasia, a pathological condition, and pygmies,who exhibit a natural adaptation to <strong>the</strong>irenvironment. Egyptians had different words to distinguishbetween different kinds of dwarfs. Yet, both kindsof dwarfs became associated with <strong>the</strong> sun god, Re, andwith <strong>the</strong> god Bes, associated with music and childbirth.Thus dwarfs were important in dance.PYGMIES. Traders brought an African pygmy todance in Egypt in <strong>the</strong> reign of Djedkare Isesy(2415–2371 B.C.E.). Pygmies were apparently highlyprized dancers in <strong>the</strong> royal courts, as evidenced by an inscriptioncarved on <strong>the</strong> tomb of <strong>the</strong> nobleman Harkhufnear Aswan, who had delivered a pygmy to King Pepi II(2288–2194 B.C.E.). The carving is a royal decree expressingboth gratitude and excitement that Harkhuf haddelivered a dancing pygmy who could perform <strong>the</strong>“dances of <strong>the</strong> god.” The inscription described <strong>the</strong>pygmy’s origin as <strong>the</strong> “Land of <strong>the</strong> Horizon-Dwellers,”suggesting that he had come from <strong>the</strong> far<strong>the</strong>st reaches of<strong>the</strong> earth. The god whose dance <strong>the</strong> pygmy could performwas probably <strong>the</strong> sun god, Re. The Pyramid Texts,carved in <strong>the</strong> pyramid of King Pepi I (2338–2298 B.C.E.)mentions <strong>the</strong>se divine dances where <strong>the</strong> king himself imitateda pygmy for <strong>the</strong> benefit of <strong>the</strong> god.DWARFS IN THE HEBY-DANCE. Two dwarfs wholived in widely separated periods danced <strong>the</strong> heby-dance.Khnumhotep, who lived in <strong>the</strong> Sixth Dynasty (2350–2170 B.C.E.), and Pawenhatef, who lived in <strong>the</strong> ThirtiethDynasty (381–343 B.C.E.), are both spoken of inArts and Humanities <strong>Through</strong> <strong>the</strong> <strong>Eras</strong>: Ancient Egypt (2675 B.C.E.–332 B.C.E.) 71

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