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Through the Eras

Edward Bleiberg ed., Ancient Egypt (2675-332 ... - The Fellowship

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LiteratureHYMN TO THE SUN GOD (continued)His deed recoils upon himAs Horus, son of Isis,Who for him rescued his fa<strong>the</strong>r:Hallowed be, and exalted, his name!Majesty, it has taken its throne,Egypt’s splendor is sure under law;The highroad is safe, bypaths lie beckoning—How ordered <strong>the</strong> banks of <strong>the</strong> River!Wrongdoing, it weakens,Injustice shall all pass away!Earth lives in peace under its Lord,Ma’at, Lady Truth, stands firm for hermaster,Man turns his back upon evil.XIHale be your heart, Osiris,You who were truly good,For <strong>the</strong> son of Isis has taken <strong>the</strong>crown!Adjudged to him is his fa<strong>the</strong>r’s kingdomDown in <strong>the</strong> broad hall of Geb.Rê it was uttered this; Thoth wrote it down:And <strong>the</strong> Grand Tribunal concurred.Osiris, your fa<strong>the</strong>r decreed in your favor!All he said has been faithfully done.SOURCE: “Hymn to Osiris,” in Ancient Egyptian Literature. Trans.John L. Foster (Austin: University of Texas Press, 2001):103–109.POLITICAL FICTION. At least two stories writtenin <strong>the</strong> Nineteenth Dynasty are set in <strong>the</strong> reign of <strong>the</strong>Eighteenth-dynasty king Thutmose III (1479–1425B.C.E.), at least 200 years before <strong>the</strong> time of composition.The Taking of Joppa and The Story of a Military Expeditionof Thutmosis III into Syria both assume this period wasa golden age of Egyptian military prowess. In The Takingof Joppa, Egyptian soldiers sneak over <strong>the</strong> town walls usingbaskets, a <strong>the</strong>me anticipating <strong>the</strong> Greek story of <strong>the</strong>Trojan Horse and tales of Ali Baba and <strong>the</strong> forty thieves.Such stories suggest <strong>the</strong> Nineteenth-dynasty policy that restoredvalues associated with Egypt’s rulers before <strong>the</strong> timeof Akhenaten and <strong>the</strong> Amarna period. Military valueswhich had received less attention during <strong>the</strong> Amarna periodonce again rank high in authors’ estimation.OTHER NARRATIVES. O<strong>the</strong>r narratives in LateEgyptian occur outside of time, when <strong>the</strong> gods stillwalked <strong>the</strong> earth. The Contendings of Horus and Seth recountsa series of struggles between <strong>the</strong>se gods as <strong>the</strong>ycompete to follow Osiris as rightful king of <strong>the</strong> living.Horus, Osiris’ son, faces many difficulties in his fightagainst his uncle Seth, bro<strong>the</strong>r of Osiris. Horus eventuallytriumphs with <strong>the</strong> aid of his mo<strong>the</strong>r Isis, <strong>the</strong> goddessof magic. The Doomed Prince also contains elementsassociated with <strong>the</strong> myth of Osiris and does not occurin a recognizable historical period. It also considers questionsof <strong>the</strong> nature of fate. Because <strong>the</strong> papyrus lacks anending, it is not clear whe<strong>the</strong>r or not <strong>the</strong> prince is ableto escape <strong>the</strong> doom mentioned in <strong>the</strong> story’s modern title.The Story of Two Bro<strong>the</strong>rs contains an episodestrongly reminiscent of <strong>the</strong> biblical story of Potiphar’swife found in Genesis of <strong>the</strong> Bible. In both stories, ahandsome young man suffers for refusing to betray hismaster with <strong>the</strong> master’s wife. The wife turns on <strong>the</strong>young man, accusing him of rape. This episode serves as<strong>the</strong> mechanism for subsequent adventures in <strong>the</strong> story.All of <strong>the</strong>se stories exist in unique manuscripts on papyrus.This circumstance raises questions of how widelyknown such literature was among Egyptians. Somescholars have suggested that this literature also circulatedorally and that it is <strong>the</strong> manuscripts that are exceptional.LOVE POETRY. About fifty love poems composedduring <strong>the</strong> Nineteenth and Twentieth Dynasties representa unique aspect of New Kingdom literature. Thoughan Eighteenth-dynasty poem about <strong>the</strong> author’s love of<strong>the</strong> city of Thebes might represent a precedent for <strong>the</strong>sepoems, <strong>the</strong>y o<strong>the</strong>rwise seem <strong>the</strong> sole examples of personallyric. They are unusual in <strong>the</strong> ancient world because<strong>the</strong>y are completely secular. While Twelfth- andEighteenth-dynasty authors had composed verse hymnsand prayers or praise of <strong>the</strong> king, <strong>the</strong>se love songs concern<strong>the</strong> affairs of ordinary men and women. The songsare usually twenty to thirty lines long. The translatorJohn L. Foster has described <strong>the</strong> broad range of emotion<strong>the</strong>y summon, including tenderness, romance, and joy.They hint at both elevated, pure love and at physical passion.They also capture familiar situations: <strong>the</strong> youngwoman surprised at meeting her lover unexpectedly, ora young couple sitting toge<strong>the</strong>r in <strong>the</strong> garden. They includea young lover cataloging his girlfriend’s charms anda young woman trying to sleep but distracted bythoughts of her boyfriend. Both male and female voicesspeak in <strong>the</strong> poems, but it is not clear that <strong>the</strong>re were136 Arts and Humanities <strong>Through</strong> <strong>the</strong> <strong>Eras</strong>: Ancient Egypt (2675 B.C.E.–332 B.C.E.)

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