21.08.2015 Views

Through the Eras

Edward Bleiberg ed., Ancient Egypt (2675-332 ... - The Fellowship

Edward Bleiberg ed., Ancient Egypt (2675-332 ... - The Fellowship

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

Religionfinal purification of <strong>the</strong> chapel in preparation for replacing<strong>the</strong> statue in <strong>the</strong> shrine, while o<strong>the</strong>rs would have<strong>the</strong> offering ritual take place before <strong>the</strong> undressing anddressing of <strong>the</strong> statue. In this ritual, <strong>the</strong> offerings thathad been prepared that morning by <strong>the</strong> priests were presentedto <strong>the</strong> god. Although an enormous meal was preparedfor <strong>the</strong> god consisting of meat, bread, cakes, beer,milk, honey, vegetables, and fruit, only a small part ofthis repast was actually placed before <strong>the</strong> statue. An offeringformula listing <strong>the</strong> various items of <strong>the</strong> offeringwas recited by <strong>the</strong> priest, and incense was burned andlibations made to purify and sanctify <strong>the</strong> offerings. Since<strong>the</strong> god did not actually consume <strong>the</strong> offerings, but simplypartook of <strong>the</strong>ir essence, <strong>the</strong>y could be shared with<strong>the</strong> o<strong>the</strong>r deities in <strong>the</strong> temple. The offerings were alsoused in <strong>the</strong> ritual of <strong>the</strong> royal ancestors, in which <strong>the</strong>king made offerings to all of his predecessors in office,often depicted in <strong>the</strong> form of a list of <strong>the</strong>ir names. Afterthis ritual, <strong>the</strong> offerings could <strong>the</strong>n be made to <strong>the</strong>statues of o<strong>the</strong>r individuals found in <strong>the</strong> temple, and finally<strong>the</strong>y became <strong>the</strong> property of <strong>the</strong> priests, who receiveda share based on <strong>the</strong>ir rank in <strong>the</strong> priestlyhierarchy. This reuse of <strong>the</strong> offerings until <strong>the</strong>y were finallyconsumed by <strong>the</strong> priests was called <strong>the</strong> “reversionof offerings” and was one way in which <strong>the</strong> priests werecompensated for <strong>the</strong>ir work.THREATS TO EXISTENCE. This morning ritual was<strong>the</strong> main ritual of <strong>the</strong> day, but less elaborate ceremonieswere also held at noon and in <strong>the</strong> evening. During <strong>the</strong>serituals, <strong>the</strong> doors of <strong>the</strong> sanctuary housing <strong>the</strong> god’sstatue were not opened. These rituals consisted primarilyof pouring water libations and burning incense before<strong>the</strong> shrines of <strong>the</strong> gods. In addition to <strong>the</strong>se offeringrituals, certain protective rituals were conducted in <strong>the</strong>temples throughout <strong>the</strong> day and night in order to repel<strong>the</strong> threats to existence, frequently thought of in termsof Seth, <strong>the</strong> murderer of Osiris, or Apophis, <strong>the</strong> serpentwho tried to stop <strong>the</strong> daily voyage of Re and <strong>the</strong>rebybring an end to creation. Singers sang hymns during <strong>the</strong>twelve hours of <strong>the</strong> day and night to protect Re fromApophis and keep <strong>the</strong> solar barque moving along on itsvoyage. Artists created images of enemies from wax orclay and <strong>the</strong>n destroyed <strong>the</strong>m, <strong>the</strong>reby bringing about<strong>the</strong> enemies’ destruction through magic.FESTIVALS. In addition to <strong>the</strong>ir daily rituals, templesalso celebrated a number of festivals throughout <strong>the</strong>year. For example, during <strong>the</strong> reign of Thuthmosis III(1479–1425 B.C.E.), <strong>the</strong> temple of Amun-Re at Karnakcelebrated 54 festival days. Ramesses III’s (r. 1187–1156B.C.E.) temple at Medinet Habu celebrated sixty festivaldays. Festivals could last from one to twenty-seven days,and involved large expenditures of food and drink forthose participating in or observing <strong>the</strong> festival. Workrecords from <strong>the</strong> village of Deir el-Medina indicate thatworkers were frequently given days off to allow <strong>the</strong>m toparticipate in many festivals. During <strong>the</strong> festival of Sokar,<strong>the</strong> authorities distributed 3,694 loaves of bread, 410cakes, and 905 jars of beer. Important festivals includedNew Year’s Day; <strong>the</strong> festival of Osiris at Abydos, duringwhich <strong>the</strong> “mysteries” of this god were celebrated; <strong>the</strong>festival of Hathor, during which <strong>the</strong> goddess would visit<strong>the</strong> royal cult complex, as did <strong>the</strong> god Sokar during hisfestival; and <strong>the</strong> Festival of <strong>the</strong> Coronation of <strong>the</strong> SacredFalcon at Edfu. The Beautiful Festival of <strong>the</strong> Valley wasan important occasion during which Amun-Re traveledfrom Karnak to <strong>the</strong> temple at Deir el Bahri and visited<strong>the</strong> royal cult complexes on <strong>the</strong> west bank of <strong>the</strong> Nile,particularly that of <strong>the</strong> reigning king. This was also anoccasion for people to visit <strong>the</strong> tombs of <strong>the</strong>ir relatives,where <strong>the</strong>y observed an all-night vigil and shared a feastamong <strong>the</strong>mselves and <strong>the</strong>ir deceased relatives.BARQUE SHRINES. The focus of a festival was <strong>the</strong>gods in <strong>the</strong>ir barque (sailing vessel) shrines. Egyptiangods always traveled in boats, ei<strong>the</strong>r in real boats whentraveling by water, or in barque shrines, carried over landon <strong>the</strong> shoulders of priests. Festivals could involve <strong>the</strong>procession of <strong>the</strong> god in his boat within <strong>the</strong> temple, or<strong>the</strong> god could leave <strong>the</strong> temple to visit ano<strong>the</strong>r deity.These shrines were carried along processional avenues,often lined with sphinxes. At intervals, small altars werebuilt which were essentially open-ended buildings thatcontained a station on which <strong>the</strong> priests could rest <strong>the</strong>barque. When <strong>the</strong> porters rested, priests performed fumigationsand libations and sang hymns to <strong>the</strong> god inits boat. Such festivals and processions provided mostpeople with <strong>the</strong>ir greatest access to <strong>the</strong> gods, since <strong>the</strong>fur<strong>the</strong>st most people were admitted into <strong>the</strong> temples was<strong>the</strong> open forecourt. Scholars have long thought that <strong>the</strong>shrine in <strong>the</strong> barque containing <strong>the</strong> god’s image wasclosed during <strong>the</strong> procession, hiding <strong>the</strong> god’s imagefrom onlookers. Recently, one scholar suggested that <strong>the</strong>doors of <strong>the</strong> barque shrine were open during such travels,since numerous texts describe <strong>the</strong> desire of people tosee <strong>the</strong> image of a god during a procession. Egyptiansbelieved that beholding <strong>the</strong> image of a god during a processioncould heal an individual from illness.ORACLES. It was during such festival processionsthat people could approach <strong>the</strong> gods seeking an oracle.The first clear evidence for oracles occurs in <strong>the</strong> NewKingdom (1539–1075 B.C.E.). The English EgyptologistJohn Baines, however, argued that evidence for <strong>the</strong> existenceof oracles occurs much earlier, perhaps as earlyArts and Humanities <strong>Through</strong> <strong>the</strong> <strong>Eras</strong>: Ancient Egypt (2675 B.C.E.–332 B.C.E.) 231

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!