21.08.2015 Views

Through the Eras

Edward Bleiberg ed., Ancient Egypt (2675-332 ... - The Fellowship

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Evidence suggests <strong>the</strong> existence of womencalled heset, or “singer,” who chant <strong>the</strong> ritualfor <strong>the</strong> gods.IMPORTANT EVENTSin MusicAll dates in this chronology are approximations (c.) andoccur before <strong>the</strong> common era (B.C.E.).2675–2170 Tomb carvings record <strong>the</strong> earliest representationsof singing and clapping, <strong>the</strong>first percussion instrument. Carvings alsodepict female musicians shaking <strong>the</strong>menat, a rattle/necklace used in worship.Egyptian ensembles first use <strong>the</strong> flute-likemat and <strong>the</strong> clarinet-like memet. Both soloand ensemble musicians begin to use <strong>the</strong>arched harp.Carvings show singers making hand gestures.Scholars conjecture that such gesturesmight serve to signal particular notesto <strong>the</strong> musicians or represent spontaneousfeeling.Evidence from tomb carvings suggests thatEgyptians may have used music to flushanimals from <strong>the</strong> marsh during hunting.A tomb carving of <strong>the</strong> song “Bata MutilatesHimself” provides <strong>the</strong> first record ofan Egyptian song, also known from TheStory of Two Bro<strong>the</strong>rs recorded on papyrus.The sistrum—a rattle-like instrument—is used to accompany dance and to worship<strong>the</strong> goddess Hathor.Gender distinctions in instruments relegatemen to <strong>the</strong> playing of flutes andoboes, while women play percussion. Thissegregation is not universal in music,however, as both men and women playharps and sing.Tomb-wall carvings reveal that femaleharpists in <strong>the</strong> Old Kingdom were almostuniversally <strong>the</strong> relatives of <strong>the</strong> deceasedtomb owner and not professional musicians.O<strong>the</strong>r carvings demonstrate thatmale musicians can be members of <strong>the</strong>elite class.2625–2500 Carvings in <strong>the</strong> tomb of Debhen showmale and female musicians playing in oneensemble.2500–2350 Earliest representation of professionalsinger and harpist is recorded in a tomb.2350–2338 A tomb drawing of <strong>the</strong> prime minister,Mereruka, shows him sitting on his bedwhile his wife, Watetkhethor, plays <strong>the</strong>harp for him; <strong>the</strong> interplay of a bedroomscene with music suggests <strong>the</strong> erotic associationsof music in ancient Egyptian society.2008–1630 Egyptians develop barrel-shaped drumsmade from tree trunks and ceramic drumswith animal skin covers. In addition, <strong>the</strong>yimport <strong>the</strong> thin lyre from Syria as well as<strong>the</strong> thick lyre.Owners of stelae (inscribed slabs of stone)at Abydos claim to be musicians in <strong>the</strong>irtomb carvings, suggesting that <strong>the</strong> officeof musician enjoyed elite status in AncientEgypt.Tomb and stelae owners include harpists’songs in <strong>the</strong>ir tomb carvings which express<strong>the</strong>ir views of <strong>the</strong> afterlife.1539–1075 The oboe-like wedjeny replaces <strong>the</strong> clarinetused during <strong>the</strong> Old and MiddleKingdoms.Egyptians import <strong>the</strong> angular harp fromMesopotamia and use it alongside <strong>the</strong> nativearched-shape harp.Ano<strong>the</strong>r Mesopotamian import, <strong>the</strong> lute,becomes popular.152 Arts and Humanities <strong>Through</strong> <strong>the</strong> <strong>Eras</strong>: Ancient Egypt (2675 B.C.E.–332 B.C.E.)

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