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Through the Eras

Edward Bleiberg ed., Ancient Egypt (2675-332 ... - The Fellowship

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Visual ArtsRARE WRITTEN EVIDENCE OF EGYPTIAN ARTINTRODUCTION: The Inscription of Bak, chief sculptor ofKing Akhenaten, represents rare inscriptional evidencefor art. Bak carved this inscription in <strong>the</strong> granitequarry near Aswan. A relief shows Bak’s fa<strong>the</strong>r,named Men, seated before a statue of AmenhotepIII while Bak himself offers at an altar. At Bak’s sideis King Akhenaten before his god, <strong>the</strong> Aten. In thisinscription, Bak claims that Akhenaten himself instructed<strong>the</strong> sculptor in <strong>the</strong> new style used during<strong>the</strong> Amarna period. This is rare evidence of howsuch an official change took place.Above Men: Offering every good and purething, consisting of bread, beer, long-horned oxen,[short-horned cattle], fowl, and all sorts of fine vegetablesby <strong>the</strong> overseer of works projects in <strong>the</strong> RedMountain, <strong>the</strong> chief sculptor in <strong>the</strong> big and importantmonuments of <strong>the</strong> king, Men, son of Baimyu. …Above Bak: Giving adoration to <strong>the</strong> lord of <strong>the</strong>Two Lands and kissing <strong>the</strong> ground to Waenre by <strong>the</strong>overseer of works projects in <strong>the</strong> Red Mountain, adisciple whom his Person [a way of referring to <strong>the</strong>king] himself instructed, chief of sculptors in <strong>the</strong> bigand important monuments of <strong>the</strong> king in <strong>the</strong> Houseof Aten in Akhet-Aten, Bak, <strong>the</strong> son of <strong>the</strong> chief ofsculptors Men and born to <strong>the</strong> housewife Ry ofHeliopolis.SOURCE: William J. Murnane, Texts from <strong>the</strong> AmarnaPeriod in Egypt (Atlanta, Ga.: Scholars Press, 1995): 129.this version of a royal body as feminized. The meaningof this feminized body would, however, not be negativeas it might be in modern eyes. Instead <strong>the</strong> Egyptian artistcould be stressing <strong>the</strong> king’s role in guaranteeing <strong>the</strong>country’s fertility. The king’s breast-like pectorals andnearly pregnant abdomen suggest common Egyptiansymbols for rebirth and plenty. This version of <strong>the</strong> king’sbody would also send an important positive message toancient Egyptian viewers.PRIVATE PEOPLE. Increasing wealth throughoutEgypt and <strong>the</strong> resulting opulence during AmenhotepIII’s reign is clear in art that represents non-royal officialsduring this period. A pair statue representing <strong>the</strong>officials Nebsen and Nebet-ta and a tomb paintingrepresenting a lady named Tjepu both demonstrate thatartists portrayed <strong>the</strong>se members of <strong>the</strong> elite with increasingnumbers of luxury goods. Nebsen was a scribeAkhenaten. BROOKLYN MUSEUM OF ART, 29.34, GIFT OF THE EGYPTEXPLORATION SOCIETY. REPRODUCED BY PERMISSION.300 Arts and Humanities <strong>Through</strong> <strong>the</strong> <strong>Eras</strong>: Ancient Egypt (2675 B.C.E.–332 B.C.E.)

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