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Through the Eras

Edward Bleiberg ed., Ancient Egypt (2675-332 ... - The Fellowship

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Literaturetional. Because <strong>the</strong> name Ptahhotep bore great prestigeamong later generations, <strong>the</strong> author hoped that Ptahhotep’sprestige would attach to his work of literature.Composed of 37 maxims, <strong>the</strong> rules of conduct andproverbs aim to present <strong>the</strong> reader with <strong>the</strong> proper conductthat will lead to success in life. The narrator, Ptahhotep,argues that following <strong>the</strong>se maxims will resultboth in success and in justice. The success and importanceof <strong>the</strong> work is evident in <strong>the</strong> fact that it was stillbeing copied in <strong>the</strong> Nineteenth Dynasty, and was probablyused in ancient Egyptian schools.SOURCESElke Blumenthal, “Ptahhotep und der ‘Stab des Alters,’” inForm und Mass: Beiträge zur Literatur, Sprache und Kunstdes alten Ägypten: Festschrift für Gerhard Fecht zum 65.Geburtstag am 6. February 1987. Ed. J. Osing (Wiesbaden,Germany: Otto Harrasowitz, 1987): 84–97.Henry G. Fischer, Varia (New York: Metropolitan Museumof Art, 1976): 82.WENAMUNTwentieth Dynasty (1190–1075 B.C.E.)–Twenty-firstDynasty (1075–945 B.C.E.)Elder of <strong>the</strong> Portal of (<strong>the</strong> god) AmunEnvoyMERCHANT. Wenamun’s personal history is unknown.In fact, it is difficult to ascertain whe<strong>the</strong>r he wasan historical or fictional figure. The document called TheReport of Wenamun, a papyrus now in Moscow, is writtento resemble a bureaucratic report on a mission to a foreigncountry. Yet <strong>the</strong> level of detail and <strong>the</strong> negative informationincluded in it is never o<strong>the</strong>rwise found in ancientEgyptian non-fiction. Wenamun travels to Byblos, a townin modern Lebanon, to buy wood for <strong>the</strong> ceremonial shipof <strong>the</strong> god Amun. En route, robbers steal Wenamun’smoney. He continues to Byblos, but <strong>the</strong> king of Bybloshas no interest in trading with a man without money, evenif he represents <strong>the</strong> god. Finally, after many tribulations,Wenamun is forced to flee and he reaches Cyprus. Here<strong>the</strong> papyrus ends, before <strong>the</strong> story is concluded. Egyptologistsdisagree on how to judge this mixture of a nonfictionform with what is usually fictional content. In anycase Wenamun’s report undoubtedly reflects <strong>the</strong> state ofaffairs at <strong>the</strong> close of <strong>the</strong> New Kingdom when Egypt hadlost control of its possessions in <strong>the</strong> Near East.SOURCESErik Hornung, Sinuhe und Wenamun: Zwei ägyptische Wanderer(Munich: Wilhelm Fink, 1995).DOCUMENTARYSOURCESin LiteratureComplaints of Khakheperre-sonb (c. reign of Senwosret II,1844–1837 B.C.E.)—This example of <strong>the</strong> pessimistic literaturecontrasts reality with <strong>the</strong> Egyptian ideal of justice.The Doomed Prince (c. 1292–1075 B.C.E.—This narrativeconcerns a young prince who attempts to escape fate. Because<strong>the</strong> papyrus breaks off, it is not clear if he succeeds.Horus and Seth (c. 1292–1075 B.C.E.)—In this story, twogods sue each o<strong>the</strong>r in a court of <strong>the</strong> gods to determinewho is <strong>the</strong> rightful heir to <strong>the</strong> throne. It may be a satireof <strong>the</strong> process of succession and <strong>the</strong> political machinationsof <strong>the</strong> many sons of ei<strong>the</strong>r Ramesses II orRamesses III.The Immortality of Writers (c. 1292–1075 B.C.E.)—Thisverse description claims that writing is more importanta monument to <strong>the</strong> author than his tomb.Prophecy of Neferty (c. Twelfth Dynasty, 1938–1909B.C.E.)—This pessimistic work of prophecy is set in <strong>the</strong>Old Kingdom but was written in <strong>the</strong> Middle Kingdom.Neferty tells King Khufu of <strong>the</strong> troubles to come andEgypt’s salvation by King Amenemhet I.The Report of Wenamun (c. 1075–1049 B.C.E.)—This narrative,styled as a bureaucratic report, describes an illfatedexpedition to buy wood for a new ship for <strong>the</strong>god Amun.The Shipwrecked Sailor (c. Twelfth Dynasty, 1938–1759B.C.E.)—This narrative about a sailor who attempts tocomfort his captain about <strong>the</strong> failure of <strong>the</strong>ir expeditioncontains stories within <strong>the</strong> story.The Story of Sinuhe (c. reign of Senwosret I, 1908–1875B.C.E.)—Egypt’s great national epic shows <strong>the</strong> mercy of<strong>the</strong> king and <strong>the</strong> ability of one man to transform himself.The Story of Two Bro<strong>the</strong>rs (c. 1292–1075 B.C.E.)—This narrativedescribes <strong>the</strong> origin of <strong>the</strong> god Bata but also reflectsparallels with <strong>the</strong> Hebrew Bible story of Joseph.The Teachings of Amenemhet I (c. 1909–1875 B.C.E.)—Thiswork provides advice on how to rule, reportedly givenby <strong>the</strong> king Amenemhet I to his son.Teachings of Ptahhotep (c. Twelfth Dynasty, 1938–1759B.C.E.)—This work of moral and practical advice wasattributed to <strong>the</strong> prime minister Ptahhotep, although itwas actually written several centuries after his lifetime.Arts and Humanities <strong>Through</strong> <strong>the</strong> <strong>Eras</strong>: Ancient Egypt (2675 B.C.E.–332 B.C.E.) 149

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