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Through the Eras

Edward Bleiberg ed., Ancient Egypt (2675-332 ... - The Fellowship

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LiteratureB.C.E.). The good includes good character and kindnessaccording to The Teachings for Merykare, The Teachingsof Ptahhotep, and The Teachings of a Man for his Son. Allof <strong>the</strong>se texts remark that good character will be rememberedin <strong>the</strong> future, while evil men are forgotten.Good character is even more important than good deeds.The stela of a man named Mentuhotep makes this point:“A man’s good character is better than doing a thousanddeeds. People’s testimony is <strong>the</strong> saying on <strong>the</strong> lips ofcommoners. His goodness is a man’s monument. Theevil-natured [one] is forgotten.”BASIS FOR THE FUTURE. The earliest autobiographiesinscribed on tomb walls in <strong>the</strong> Old Kingdom andon stelae during <strong>the</strong> Middle Kingdom served scribes as<strong>the</strong> basis for composing both narratives and teachingsduring <strong>the</strong> Middle Kingdom. They represent Egyptianauthors’ first experiments with defining justice and <strong>the</strong>good. In later narratives, authors both illustrated <strong>the</strong>semoral traits and established with <strong>the</strong> instructional literature<strong>the</strong> best teachings to nurture both <strong>the</strong> good and<strong>the</strong> just within a young man’s character.TJETJI AND TRANSITIONAL AUTOBIOGRAPHY.Tjetji’s autobiography reflects traditions of <strong>the</strong> late OldKingdom and anticipates <strong>the</strong> best of Dynasty 11. Itserves as an excellent example of <strong>the</strong> way autobiographieschanged from <strong>the</strong> previous time period while still carrying<strong>the</strong> tradition forward. It is carved on a stela that isdivided into three unequal fields. At <strong>the</strong> top is a fourteenline,horizontal, autobiographical inscription readingright to left. The lower left portion depicts Tjetji facingright, in high raised relief, with two members of his staff;a small figure presents offerings before him. The lowerright field is an elaborate, five-line, vertical offeringprayer listing wishes for <strong>the</strong> afterlife. Tjetji’s autobiographyrevives an Old Kingdom literary tradition nearly200 years after its disappearance. In Tjetji’s era, autobiographiestypically praise provincial leaders’ efforts onbehalf of <strong>the</strong>ir provinces. But Tjetji, a court official, returnsto an Old Kingdom <strong>the</strong>me: <strong>the</strong> ideal of service to<strong>the</strong> king. He makes constant reference to his success atcarrying out <strong>the</strong> king’s wishes. This ideal continued todominate subsequent autobiographies written during <strong>the</strong>Middle Kingdom. Tjetji recounts his service as Overseerof <strong>the</strong> Seal Bearers of <strong>the</strong> King to Wahankh Intef II(2065–2016 B.C.E.) and Nakht-neb-tep-nefer Intef III(2016–2008 B.C.E.), establishing for historians <strong>the</strong> orderof <strong>the</strong>se kings. Tjetji also describes <strong>the</strong> borders of <strong>the</strong>Theban kingdom just before <strong>the</strong> reunification of Egyptunder Nebhepetre Mentuhotep II (2008–1957 B.C.E.).These borders stretch from Elephantine in <strong>the</strong> south toAbydos in <strong>the</strong> north. The text is limited in length by <strong>the</strong>size of <strong>the</strong> stela, unlike later, extended autobiographiescarved on tomb walls. Yet Tjetji’s use of <strong>the</strong> Egyptianlanguage is striking and eloquent. Ronald J. Leprohon,<strong>the</strong> Canadian Egyptologist, suggested that this elaboratelanguage, structured in tight grammatical patterns, derivesfrom <strong>the</strong> deceased’s own efforts to attain <strong>the</strong> ancientEgyptian ideal of “perfect speech.” Tjetji’s stelaclearly demonstrates <strong>the</strong> high standards of language thathad been established in Thebes before political unificationwith Lower Egypt. These standards and <strong>the</strong>ir connectionto <strong>the</strong> previous period of political unity perhapspoint toward <strong>the</strong> early Eleventh Dynasty’s conscious politicalplans for reunifying <strong>the</strong> country.SOURCESJan Assmann, “Der literarische Aspekt des ägyptischenGrabes und sein Funktion im Rahmen des ‘monumentalenDiskurses,’” in Ancient Egyptian Literature: Historyand Forms. Ed. Antonio Loprieno (Leiden, Ne<strong>the</strong>rlands:E. J. Brill, 1996): 97–104.Miriam Lich<strong>the</strong>im, Ancient Egyptian Autobiographies Chieflyof <strong>the</strong> Middle Kingdom: A Study and an Anthology(Freiburg & Göttingen: Universitätsverlag, 1988):39–45.—, Moral Values in Ancient Egypt (Fribourg, Switzerland:University of Fribourg Press, 1997).SEE ALSO Philosophy: Maat; Religion: The KingPESSIMISTIC LITERATUREREFLECTING ON CHAOS. The exact cause of <strong>the</strong> collapseof <strong>the</strong> central government at <strong>the</strong> end of <strong>the</strong> OldKingdom between 2170 and 2130 B.C.E. remains <strong>the</strong>subject of debate. Never<strong>the</strong>less, it is clear that <strong>the</strong> centralgovernment located in Memphis gradually surrenderedits control to local rulers of <strong>the</strong> provinces duringthis forty-year period. From 2130 to about 2003 B.C.E.,Egypt experienced decentralized, local government wi<strong>the</strong>ach province ruled separately by local noble families.This is <strong>the</strong> period Egyptologists call <strong>the</strong> First IntermediatePeriod. When Mentuhotep II restored <strong>the</strong> centralgovernment about 2008 B.C.E., <strong>the</strong> newly re-establishedcentral bureaucracy, composed of <strong>the</strong> literate class, generateda literature sometimes called <strong>the</strong> literature of pessimism.The <strong>the</strong>me of <strong>the</strong>se works, mostly composed in<strong>the</strong> early Twelfth Dynasty, is a reproach or accusationagainst <strong>the</strong> gods for allowing chaotic conditions between<strong>the</strong> end of <strong>the</strong> Old Kingdom and <strong>the</strong> establishment of<strong>the</strong> Middle Kingdom. The texts include laments about<strong>the</strong> insecure state of society and nature, and assert <strong>the</strong>hopelessness of discussing <strong>the</strong>se problems. In general, <strong>the</strong>128 Arts and Humanities <strong>Through</strong> <strong>the</strong> <strong>Eras</strong>: Ancient Egypt (2675 B.C.E.–332 B.C.E.)

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