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Through the Eras

Edward Bleiberg ed., Ancient Egypt (2675-332 ... - The Fellowship

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Visual ArtsLinen chest of Tutankhamun, showing <strong>the</strong> king in his chariot, riding into battle and defeating his enemies of <strong>the</strong> North and South.THE ART ARCHIVE/EGYPTIAN MUSEUM CAIRO/DAGLI ORTI.scenes of this sort represent a return to <strong>the</strong> king’s traditionalrole as Egypt’s protector.RAMESSIDE PERIOD. In 1292 B.C.E., GeneralRamesses ascended <strong>the</strong> throne and founded <strong>the</strong> NineteenthDynasty. The royal family of <strong>the</strong> EighteenthDynasty had died out with Tutankhamun. Until 1075B.C.E. through <strong>the</strong> Twentieth Dynasty, kings reverted to<strong>the</strong> old ideal. Kings such as Ramesses II created vastamounts of art that both looked back to <strong>the</strong> early EighteenthDynasty for inspiration but also bore <strong>the</strong> influencesof more recent Egyptian art. A relief depictingRamesses II combines features of kings such as ThutmoseIII with Amarna details. The king wears a Nemes kerchiefwith a Uraeus snake over his forehead. His eyebrowarches similar to early Eighteenth-dynasty models.His eye is wide but still tilts slightly toward his nose,much as was true of Amenhotep III’s sculpture. Yet <strong>the</strong>cosmetic line is long and parallel to <strong>the</strong> extension of <strong>the</strong>eyebrow as found at <strong>the</strong> beginning of <strong>the</strong> Eighteenth Dynasty.His nose is slightly aquiline. His sensitively carvedlips curve down slightly, reminding <strong>the</strong> viewer of <strong>the</strong>Amarna period. Yet <strong>the</strong> chin is round. Though his neckis muscular it still has <strong>the</strong> grooves carved in it that firstappeared in <strong>the</strong> Amarna period. Thus through a combinationof characteristics, Ramesses II’s artists created animage of <strong>the</strong> king that provided some continuity with<strong>the</strong> recent past but still recalled <strong>the</strong> glorious early EighteenthDynasty and its warrior kings. This message musthave been reassuring to his contemporaries who had witnessedmany violent changes in policy during <strong>the</strong>ir lives.TOMB OF SENEDJEM. The paintings found in tombsduring <strong>the</strong> Ramesside period differ from EighteenthDynasty and earlier tombs because <strong>the</strong> subject matter ismore clearly religious. Ra<strong>the</strong>r than scenes of fishing andfowling that must be interpreted to find <strong>the</strong>ir religiousmeaning, Ramesside artists portrayed <strong>the</strong> next world306 Arts and Humanities <strong>Through</strong> <strong>the</strong> <strong>Eras</strong>: Ancient Egypt (2675 B.C.E.–332 B.C.E.)

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