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Through the Eras

Edward Bleiberg ed., Ancient Egypt (2675-332 ... - The Fellowship

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Visual ArtsHead and torso of a noblewoman. BROOKLYN MUSEUM OF ART,59.1, CHARLES EDWIN WILBOUR FUND. REPRODUCED BY PERMISSION.Statue of Queen Hatshepsut holding vases of “Nou” offering.GIRAUDON/ART RESOURCE NY.depended on models that <strong>the</strong>y found around Thebes, <strong>the</strong>traditional home of <strong>the</strong> new royal family that had reunitedEgypt and driven out <strong>the</strong> Hyksos. A head of King Ahmosein a private collection shows <strong>the</strong> first king of <strong>the</strong>Eighteenth Dynasty in a white crown with <strong>the</strong> Uraeussnake.This head is so similar to Eleventh-dynasty royalsculpture that only <strong>the</strong> inscription which identifies <strong>the</strong>king as Ahmose makes it absolutely clear that it wascarved in <strong>the</strong> Eighteenth Dynasty. The carving of <strong>the</strong> eyedepicts it as wide open but slanting toward <strong>the</strong> middleof <strong>the</strong> face. This same slant can be found in statues ofMentuhotep II and Senwosret I. Ahmose’s eye also bulgesnaturalistically. It looks three-dimensional because of <strong>the</strong>grooves around <strong>the</strong> eyeball that separate <strong>the</strong>m from <strong>the</strong>lids. The iris and pupil were represented by concentriccircles, a technique that began in <strong>the</strong> Eleventh Dynasty.The cosmetic line is horizontal and long, extending from<strong>the</strong> corner of <strong>the</strong> eye to <strong>the</strong> ear tabs of <strong>the</strong> crown. Theface is broad with full, high, rounded cheeks. The sickleshapedmouth might be an individual characteristic thattruly represented Ahmose’s mouth. It is not a featurefound in Middle Kingdom sculpture. In sum, this sculptureof Ahmose closely resembles statues of MentuhotepII, nearly five hundred years older. Clearly, artists wereturning to traditions that for <strong>the</strong>m were already ancientto reestablish an artistic style for <strong>the</strong> Egyptian state nownewly liberated from foreign domination.HATSHEPSUT. Hatshepsut came to <strong>the</strong> throne ofEgypt in 1478 B.C.E. Officially, she ruled jointly withThutmose III who had ascended to <strong>the</strong> throne as a childone year earlier. Hatshepsut was <strong>the</strong> chief wife of ThutmoseII, Thutmose III’s fa<strong>the</strong>r. But Thutmose III was no<strong>the</strong>r son. Thutmose III’s mo<strong>the</strong>r was Isis, a secondary queenof Thutmose II. Though <strong>the</strong> details of Hatshepsut’s riseto power remain unclear, she certainly presented herselfas <strong>the</strong> ruler until her death in 1458 B.C.E. Only <strong>the</strong>n didThutmose III assume independent rule of <strong>the</strong> country.Statues of Hatshepsut in <strong>the</strong> guise of <strong>the</strong> ruling king createda challenge for Egyptian sculptors. The traditionalimage of <strong>the</strong> king was an athletic male figure that protectedEgypt from its enemies. Artists had to develop294 Arts and Humanities <strong>Through</strong> <strong>the</strong> <strong>Eras</strong>: Ancient Egypt (2675 B.C.E.–332 B.C.E.)

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