Tacitus, Annals, 15.20-23, 33-45. Latin Text, Study Aids with Vocabulary, and Commentary, 2013a
Tacitus, Annals, 15.20-23, 33-45. Latin Text, Study Aids with Vocabulary, and Commentary, 2013a
Tacitus, Annals, 15.20-23, 33-45. Latin Text, Study Aids with Vocabulary, and Commentary, 2013a
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
verbs. Within the relative clause iactaverit introduces an indirect statement<br />
<strong>with</strong> se as subject accusative <strong>and</strong> reconciliatum (esse) as verb. There is an<br />
interesting shift in grammatical position from the relative clause to the<br />
second part of the indirect statement dependent on ferunt: in the relative<br />
clause Nero is the subject of the main verb <strong>and</strong> the subjective accusative<br />
of the indirect statement (se), whereas Thrasea is in the dative; afterwards<br />
Nero is mentioned in the dative (Caesari), whereas Seneca becomes the<br />
subject accusative. It is another instance in which <strong>Tacitus</strong> uses evaluative<br />
syntax: he elevates Seneca to a more prominent syntactic position than the<br />
emperor <strong>and</strong> uses style to reinforce theme: as Furneaux puts it, ‘the answer<br />
of Seneca implies that the friendship of Thrasea was worth more to Nero<br />
than Nero’s to him.’ 116<br />
What we get here is a throw-back to the times when Seneca<br />
(c. 4 BC – AD 65) was Nero’s tutor <strong>and</strong> tried to guide him in thought <strong>and</strong><br />
practice, not least through his treatise de Clementia (‘On Mercy’), which<br />
he addressed to his charge. At <strong>Annals</strong> 14.53–6, we were treated to an<br />
excruciating interview exchange when Seneca tried to let go his graduate<br />
<strong>and</strong> retire, only to run into a sample of the fancy rhetoric he had taught his<br />
prince pupil, <strong>and</strong> be refused.<br />
<strong>Tacitus</strong> often reports a story in this manner, neither mentioning his<br />
sources nor vouching for the story himself. Here, he tells the little tale to<br />
illustrate aspects of the intertwined characters of three major figures.<br />
egregiis viris refers to<br />
Seneca <strong>and</strong> Thrasea. Seneca won glory because of the fearless reaction<br />
to the emperor’s vaunting, thus speaking an unwelcome truth to power<br />
(always a dangerous thing to do), whilst Thrasea won glory through the<br />
recognition of his status as a benchmark of political excellence <strong>and</strong> integrity<br />
– again a worrisome position to be in if the ruler is a tyrant who falls short<br />
of the st<strong>and</strong>ards set by some of his subjects. The position of gloria at the<br />
beginning suggests that the outcome of the event was as it should be,<br />
then the delayed <strong>and</strong> threatening pericula reminds us that the world of<br />
Neronian Rome was not so fair <strong>and</strong> just, <strong>and</strong> that something more sinister<br />
was awaiting them. Ultimately, both had to commit suicide. That the same<br />
action simultaneously brings glory as well as danger reveals the perverse<br />
nature of Nero’s regime: qualities that ought to bring renown entail peril.<br />
116 Furneaux (1907) 347.