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Tacitus, Annals, 15.20­-23, 33­-45. Latin Text, Study Aids with Vocabulary, and Commentary, 2013a

Tacitus, Annals, 15.20­-23, 33­-45. Latin Text, Study Aids with Vocabulary, and Commentary, 2013a

Tacitus, Annals, 15.20­-23, 33­-45. Latin Text, Study Aids with Vocabulary, and Commentary, 2013a

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verbs. Within the relative clause iactaverit introduces an indirect statement<br />

<strong>with</strong> se as subject accusative <strong>and</strong> reconciliatum (esse) as verb. There is an<br />

interesting shift in grammatical position from the relative clause to the<br />

second part of the indirect statement dependent on ferunt: in the relative<br />

clause Nero is the subject of the main verb <strong>and</strong> the subjective accusative<br />

of the indirect statement (se), whereas Thrasea is in the dative; afterwards<br />

Nero is mentioned in the dative (Caesari), whereas Seneca becomes the<br />

subject accusative. It is another instance in which <strong>Tacitus</strong> uses evaluative<br />

syntax: he elevates Seneca to a more prominent syntactic position than the<br />

emperor <strong>and</strong> uses style to reinforce theme: as Furneaux puts it, ‘the answer<br />

of Seneca implies that the friendship of Thrasea was worth more to Nero<br />

than Nero’s to him.’ 116<br />

What we get here is a throw-back to the times when Seneca<br />

(c. 4 BC – AD 65) was Nero’s tutor <strong>and</strong> tried to guide him in thought <strong>and</strong><br />

practice, not least through his treatise de Clementia (‘On Mercy’), which<br />

he addressed to his charge. At <strong>Annals</strong> 14.53–6, we were treated to an<br />

excruciating interview exchange when Seneca tried to let go his graduate<br />

<strong>and</strong> retire, only to run into a sample of the fancy rhetoric he had taught his<br />

prince pupil, <strong>and</strong> be refused.<br />

<strong>Tacitus</strong> often reports a story in this manner, neither mentioning his<br />

sources nor vouching for the story himself. Here, he tells the little tale to<br />

illustrate aspects of the intertwined characters of three major figures.<br />

egregiis viris refers to<br />

Seneca <strong>and</strong> Thrasea. Seneca won glory because of the fearless reaction<br />

to the emperor’s vaunting, thus speaking an unwelcome truth to power<br />

(always a dangerous thing to do), whilst Thrasea won glory through the<br />

recognition of his status as a benchmark of political excellence <strong>and</strong> integrity<br />

– again a worrisome position to be in if the ruler is a tyrant who falls short<br />

of the st<strong>and</strong>ards set by some of his subjects. The position of gloria at the<br />

beginning suggests that the outcome of the event was as it should be,<br />

then the delayed <strong>and</strong> threatening pericula reminds us that the world of<br />

Neronian Rome was not so fair <strong>and</strong> just, <strong>and</strong> that something more sinister<br />

was awaiting them. Ultimately, both had to commit suicide. That the same<br />

action simultaneously brings glory as well as danger reveals the perverse<br />

nature of Nero’s regime: qualities that ought to bring renown entail peril.<br />

116 Furneaux (1907) 347.

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