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Tacitus, Annals, 15.20­-23, 33­-45. Latin Text, Study Aids with Vocabulary, and Commentary, 2013a

Tacitus, Annals, 15.20­-23, 33­-45. Latin Text, Study Aids with Vocabulary, and Commentary, 2013a

Tacitus, Annals, 15.20­-23, 33­-45. Latin Text, Study Aids with Vocabulary, and Commentary, 2013a

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took a detour <strong>with</strong> the character portrayal of Vatinius <strong>and</strong> the Silanus affair.<br />

Nero returned to the idea of touring Greece in AD 66, but the part of the<br />

<strong>Annals</strong> that would have covered the tour is unfortunately lost. <strong>Tacitus</strong> here<br />

employs very vague temporal markers (what does non multo post mean,<br />

precisely?), arguably to obfuscate that he is playing fast <strong>and</strong> loose <strong>with</strong><br />

facts <strong>and</strong> chronology – certainly to pretend to bracket off the (displaced)<br />

rubbing out of Silanus as if merely incidental to the chief narrative thread,<br />

storming the world of song. (Before ‘revisiting’ Beneventum.)<br />

fuere = fuerunt. If the assumption is correct that<br />

<strong>Tacitus</strong> made up Nero’s desire to tour Greece in AD 64 <strong>and</strong> then ab<strong>and</strong>oning<br />

the plan, it hardly surprises that his reasons for not going remain obscure.<br />

At the same time, the phrase adds an air of intrigue to Nero’s alleged change<br />

of heart. Did he hear about a conspiracy? Was the affair of Torquatus more<br />

serious? Was he more alarmed by events in Neapolis than he made out?<br />

The silence of this parenthesis adds drama, certainly. And by contrast it<br />

underlines that the reasons for getting rid of Silanus were unmistakeable,<br />

however nonchalantly Nero assured us otherwise.<br />

Usually, as here, Rome.<br />

provincias Orientis, maxime Aegyptum, secretis imaginationibus<br />

<strong>Tacitus</strong> here gives a st<strong>and</strong>ard idiom a lurid twist: agitare aliquid/<br />

de aliqua re in the sense of ‘to drive at a thing in the mind, to consider,<br />

meditate upon’ often takes an ablative of place (<strong>with</strong> or <strong>with</strong>out in),<br />

such as in corde, in mente, or animo. Here we get the highly suggestive<br />

secretis imaginationibus (‘in his private delusions’, ‘in his secret fancies’).<br />

The rare, ponderous, noun imaginatio, to be sure, fits the object of<br />

Nero’s obsession – in Rome’s cultural imagination the Eastern part of<br />

the Mediterranean was associated <strong>with</strong> fables <strong>and</strong> fantasies as well as<br />

an elaborate culture of performance, from drama to music. But we may<br />

wonder how <strong>Tacitus</strong> could have had evidence of the day-dreams of the<br />

emperor. As <strong>with</strong> the ab<strong>and</strong>oned trip to Greece, the historiographer<br />

here adopts a stance of impossible omniscience. The trip to the Near<br />

East, though, acquired a different degree of reality: as the following<br />

sentences make clear, Nero ‘staged’, in the most public fashion, his<br />

decision both to go – <strong>and</strong> not to go.

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