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Tacitus, Annals, 15.20­-23, 33­-45. Latin Text, Study Aids with Vocabulary, and Commentary, 2013a

Tacitus, Annals, 15.20­-23, 33­-45. Latin Text, Study Aids with Vocabulary, and Commentary, 2013a

Tacitus, Annals, 15.20­-23, 33­-45. Latin Text, Study Aids with Vocabulary, and Commentary, 2013a

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With ipse, <strong>Tacitus</strong> introduces a shift in focus. So far, he has adopted a panoramic<br />

survey approach towards recording what happened at the party; now he<br />

zooms in on the emperor. After conveying a general sense of the proceedings,<br />

we get a detailed, close-up look at what Nero himself got up to. Apparently,<br />

the emperor indulged his depraved appetites <strong>with</strong>out inhibition at the party, a<br />

factoid that <strong>Tacitus</strong> uses as a foil for something even more obscene, an account<br />

of his mock-marriage to Pythagoras. Nero’s erotic license also attracted the<br />

attention of other writers. Suetonius, for instance, devotes two full chapters of<br />

his biography to the sexual transgressions of the emperor (28–29), including the<br />

tid-bit that Nero, when his aptly named freedman Doryphorus (Greek for the<br />

‘Spear-bearer’ – Suetonius’ equivalent to <strong>Tacitus</strong>’ Pythagoras), ‘finished him off’<br />

on his ‘wedding night’ went so far as ‘to imitate the cries <strong>and</strong> lamentations of a<br />

maiden being deflowered.’ <strong>Tacitus</strong>’ reticence contrasts (favourably?) <strong>with</strong> the<br />

sensationalist gusto of the biographer who lovingly dwells on each unsavoury<br />

detail. Whereas Nero (<strong>and</strong> his biographers) glory in letting it all hang out,<br />

<strong>Tacitus</strong> abides by the principle, enshrined in his own name [<strong>Tacitus</strong> ~ tacitus<br />

= the perfect passive participle of taceo, ‘I make no utterance, am silent, say<br />

nothing’], that some stuff is best shrouded in the veils of narrative obscurity.<br />

Put differently, Suetonius strips, <strong>Tacitus</strong> teases. 144<br />

Neronian vice covers the entire spectrum of<br />

possibilities, but <strong>Tacitus</strong> uses an oxymoron to articulate the comprehensive<br />

nature of his debauchery. In principle, it is difficult to defile oneself per licita,<br />

but Nero somehow manages the impossible. Conversely, <strong>Tacitus</strong> intimates<br />

that in Nero’s perverse indulgence in public disgrace, even otherwise<br />

sanctioned forms of erotic activity become filthy <strong>and</strong> hideous.<br />

A very strong <strong>and</strong> ugly verb, suggesting how utterly Nero<br />

disgraced himself <strong>and</strong> sullied any sense of public morals.<br />

flagitii is a partitive genitive dependent on nihil. The<br />

pronounced hyperbole again makes clear Nero’s degeneracy, suggesting<br />

that Nero saw this party as an opportunity to debase himself <strong>and</strong> made<br />

sure he left nothing out.<br />

144 Cf. <strong>Annals</strong> 11.27 where <strong>Tacitus</strong> dismissively speaks of imperial Rome as a society in<br />

which there are no secrets <strong>and</strong> no topic is off-limits (in civitate omnium gnara et nihil<br />

reticente). His historiography is not least an attempt to establish a dignified voice <strong>with</strong>in<br />

this sea of incessant, shameless chatter.

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