Tacitus, Annals, 15.20-23, 33-45. Latin Text, Study Aids with Vocabulary, and Commentary, 2013a
Tacitus, Annals, 15.20-23, 33-45. Latin Text, Study Aids with Vocabulary, and Commentary, 2013a
Tacitus, Annals, 15.20-23, 33-45. Latin Text, Study Aids with Vocabulary, and Commentary, 2013a
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With ipse, <strong>Tacitus</strong> introduces a shift in focus. So far, he has adopted a panoramic<br />
survey approach towards recording what happened at the party; now he<br />
zooms in on the emperor. After conveying a general sense of the proceedings,<br />
we get a detailed, close-up look at what Nero himself got up to. Apparently,<br />
the emperor indulged his depraved appetites <strong>with</strong>out inhibition at the party, a<br />
factoid that <strong>Tacitus</strong> uses as a foil for something even more obscene, an account<br />
of his mock-marriage to Pythagoras. Nero’s erotic license also attracted the<br />
attention of other writers. Suetonius, for instance, devotes two full chapters of<br />
his biography to the sexual transgressions of the emperor (28–29), including the<br />
tid-bit that Nero, when his aptly named freedman Doryphorus (Greek for the<br />
‘Spear-bearer’ – Suetonius’ equivalent to <strong>Tacitus</strong>’ Pythagoras), ‘finished him off’<br />
on his ‘wedding night’ went so far as ‘to imitate the cries <strong>and</strong> lamentations of a<br />
maiden being deflowered.’ <strong>Tacitus</strong>’ reticence contrasts (favourably?) <strong>with</strong> the<br />
sensationalist gusto of the biographer who lovingly dwells on each unsavoury<br />
detail. Whereas Nero (<strong>and</strong> his biographers) glory in letting it all hang out,<br />
<strong>Tacitus</strong> abides by the principle, enshrined in his own name [<strong>Tacitus</strong> ~ tacitus<br />
= the perfect passive participle of taceo, ‘I make no utterance, am silent, say<br />
nothing’], that some stuff is best shrouded in the veils of narrative obscurity.<br />
Put differently, Suetonius strips, <strong>Tacitus</strong> teases. 144<br />
Neronian vice covers the entire spectrum of<br />
possibilities, but <strong>Tacitus</strong> uses an oxymoron to articulate the comprehensive<br />
nature of his debauchery. In principle, it is difficult to defile oneself per licita,<br />
but Nero somehow manages the impossible. Conversely, <strong>Tacitus</strong> intimates<br />
that in Nero’s perverse indulgence in public disgrace, even otherwise<br />
sanctioned forms of erotic activity become filthy <strong>and</strong> hideous.<br />
A very strong <strong>and</strong> ugly verb, suggesting how utterly Nero<br />
disgraced himself <strong>and</strong> sullied any sense of public morals.<br />
flagitii is a partitive genitive dependent on nihil. The<br />
pronounced hyperbole again makes clear Nero’s degeneracy, suggesting<br />
that Nero saw this party as an opportunity to debase himself <strong>and</strong> made<br />
sure he left nothing out.<br />
144 Cf. <strong>Annals</strong> 11.27 where <strong>Tacitus</strong> dismissively speaks of imperial Rome as a society in<br />
which there are no secrets <strong>and</strong> no topic is off-limits (in civitate omnium gnara et nihil<br />
reticente). His historiography is not least an attempt to establish a dignified voice <strong>with</strong>in<br />
this sea of incessant, shameless chatter.