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Tacitus, Annals, 15.20­-23, 33­-45. Latin Text, Study Aids with Vocabulary, and Commentary, 2013a

Tacitus, Annals, 15.20­-23, 33­-45. Latin Text, Study Aids with Vocabulary, and Commentary, 2013a

Tacitus, Annals, 15.20­-23, 33­-45. Latin Text, Study Aids with Vocabulary, and Commentary, 2013a

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judiciously aporetic stance on whether the emperor was responsible<br />

for setting Rome afire. But his Nero, too, is a murderous pervert <strong>with</strong><br />

disgusting inclinations (such as a penchant for Greek culture...) <strong>and</strong> a<br />

prolific contributor to imperial Gr<strong>and</strong> Guignol (as the French call theatre<br />

that specializes in naturalistic horror shows) – to begin <strong>with</strong>, unwittingly<br />

so. Here is the first sentence of the Nero-narrative (<strong>Annals</strong> 13.1.1–2):<br />

Prima novo principatu mors Iunii Silani proconsulis Asiae ignaro Nerone<br />

per dolum Agrippinae paratur, non quia ingenii violentia exitium<br />

inritaverat, segnis et dominationibus aliis fastiditus, adeo ut C. Caesar<br />

pecudem auream eum appellare solitus sit: verum Agrippina fratri eius L.<br />

Silano necem molita ultorem metuebat, crebra vulgi fama anteponendum<br />

esse vixdum pueritiam egresso Neroni et imperium per scelus adepto<br />

virum aetate composita insontem, nobilem et, quod tunc spectaretur, e<br />

Caesarum posteris: quippe et Silanus divi Augusti abnepos erat. haec<br />

causa necis.<br />

[The first death under the new principate, that of Junius Silanus, proconsul<br />

of Asia, was brought to pass, <strong>with</strong>out Nero’s knowledge, by treachery<br />

on the part of Agrippina. It was not that he had provoked his doom by<br />

violence of temper, lethargic as he was, <strong>and</strong> so completely disdained by<br />

former despotisms that Gaius Caesar [sc. Caligula] usually styled him<br />

‘the golden sheep’; but Agrippina, who had procured the death of his<br />

brother Lucius Silanus, feared him as a possible avenger, since it was a<br />

generally expressed opinion of the multitude that Nero, barely emerged<br />

from boyhood <strong>and</strong> holding the empire in consequence of a crime, should<br />

take second place to a man of settled years, innocent character, <strong>and</strong> noble<br />

family, who – a point to be regarded in those days – was counted among<br />

the descendents of the Caesars: for Silanus, like Nero, was the son of a<br />

great-gr<strong>and</strong>child of Augustus. This was the cause of death...]<br />

The imperial principle is evidently in play here: the book doesn’t start<br />

<strong>with</strong> the new year <strong>and</strong> the new consuls, but <strong>with</strong> a new series of imperial<br />

murders. As such it looks back to the beginning of the Tiberius narrative<br />

– <strong>and</strong> forward to the set text: 50 later on in his reign, the grown-up Nero<br />

takes care of business himself <strong>and</strong> kills off another Junius Silanus <strong>with</strong>out<br />

the help of his mother (by then herself a murder victim) because he was a<br />

potential pretender to the throne, having similar dynastic credentials. The<br />

incident is part of the set text: see 15.37. More generally, <strong>Tacitus</strong> makes it<br />

abundantly clear that all of Nero’s reign lives up to its ominous beginnings,<br />

50 See <strong>Annals</strong> 1.6.1 (on the beginning of Tiberius’ reign as princeps): primum facinus novi<br />

principatus fuit Postumi Agrippae caedes (‘The opening crime of the new principate was the<br />

murder of Agrippa Postumus’).

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