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Tacitus, Annals, 15.20­-23, 33­-45. Latin Text, Study Aids with Vocabulary, and Commentary, 2013a

Tacitus, Annals, 15.20­-23, 33­-45. Latin Text, Study Aids with Vocabulary, and Commentary, 2013a

Tacitus, Annals, 15.20­-23, 33­-45. Latin Text, Study Aids with Vocabulary, and Commentary, 2013a

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A purpose clause: quo = ut eo.<br />

An indirect statement, <strong>with</strong> the<br />

verb (esse) elided. nihil is the subject accusative, laetum the predicative<br />

complement. sibi is in the dative of personal interest or reference. The<br />

adverb perinde (‘equally’, ‘to the same degree’) modifies laetum. Hence:<br />

Nero wanted to prove that ‘nothing (nihil) was ever (usquam) to the same<br />

degree welcome (perinde laetum) to him (sibi) [sc. as Rome].’<br />

struere <strong>and</strong><br />

uti (linked by the -que after tota) are historic infinitives (i.e. infinitives used<br />

as main verbs). They serve to quicken the pace of the narrative as Nero’s<br />

immorality spirals to new depths. The verb struere is especially interesting:<br />

whilst it is used here to mean ‘to set up’ banquets, it can often be used<br />

of ‘contriving’ or ‘plotting’ a crime. The word thus contains a hint of the<br />

sinister undercurrent to Nero’s actions: they are paving the way for future<br />

outrages. The arrangement is chiastic: verb (struere) + accusative object<br />

(convivia) :: ablative object (tota urbe) + verb (uti).<br />

The superlative celeberrimae,<br />

qualified by the negative nouns luxu <strong>and</strong> fama (both ablatives of respect;<br />

celeberrimae ... fama is an ‘almost tautological expression’ 137 ), paints a lurid<br />

picture of the immorality of the banquet. More generally, banquets in<br />

<strong>Tacitus</strong> are often used as the setting of profound immorality. In <strong>Annals</strong> 14,<br />

Nero’s incest <strong>with</strong> his mother, Britannicus’ murder, <strong>and</strong> part of the plot<br />

to kill his mother all occurred against the backdrop of a banquet. The<br />

decadence <strong>and</strong> corruption of Nero’s court, of which <strong>Tacitus</strong> never ceases<br />

to remind us, make this an appropriate setting for the crimes of the regime<br />

<strong>and</strong> for demonstrations of his extravagance. <strong>Tacitus</strong> varies his vocabulary<br />

(convivia, epulae) <strong>and</strong>, <strong>with</strong> luxu (instead of the more common luxuria),<br />

chooses recherché diction to draw further attention to them <strong>and</strong> stress the<br />

number of degenerate feasts occurring. 138<br />

137 Woodman (1998) 172.<br />

138 See more generally Woodman (2004) xxii: ‘given a choice of synonyms, <strong>Tacitus</strong> often<br />

varies the linguistic norm by choosing the less common: luxus (“luxuriousness”)<br />

for luxuria (“luxury”), maestitia (“sorrowfulness”) for maeror (“sorrow”), seruitium<br />

(“servitude”) for seruitus (“slavery”).’

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