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"Symbiosis or Death": - Rhodes University

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looking back across the same charred distance…<br />

(lines 54-58)<br />

The poem expl<strong>or</strong>es the link between the destruction of cultures and the destruction of<br />

natural resources and embodies the tension between good science and technological<br />

destructiveness. Science contains implicit hope, f<strong>or</strong> the measuring of pollution levels (the<br />

noting of “adverse bacteriological facts”) is the first step to ensuring potable water.<br />

There is no question that humankind’s alienation from nature is a strong preoccupation in<br />

Livingstone’s poetry. Other poems which can be included under this theme are: the<br />

sonnets “Drought” and “To Our Tom<strong>or</strong>rows” from The Skull in the Mud (reprinted in<br />

Selected Poems 17 and 18); two poems from Eyes Closed Against the Sun, “One<br />

Elephant” (20) and “The Heritage” (42); a number of poems from Sjambok and Other<br />

Poems of Africa, “Adamast<strong>or</strong> Resuscitated” (12), “Transactions” (15), “Zebra” (33),<br />

“Fishp<strong>or</strong>t, Cape” (41), “The King” (42) and “The Lost Mine” (52). The Anvil’s<br />

Undertone, too, contains mainly poems which depict humankind as apart from nature:<br />

“Rock Art” (16), “The Zoo Affair” (41), “Bataleur” (45), “Veld and Vlei Poem” (49),<br />

“Isotopes” (60) and “The Paladin in Conglomerate” (67), which is examined at the end of<br />

this chapter.<br />

Is this alienation a result of the human ability to reason? Livingstone implicitly<br />

grapples with this question in the above poems. F<strong>or</strong> example, “Africa” and “August<br />

Zulu” both examine how technological advances can lead to human abuse of the Earth,<br />

while “Falconer on a Skyscraper” expl<strong>or</strong>es the effect on the human psyche of<br />

urbanisation and the loss of instinctual knowledge. “The Genetic Blueprint of Roses, Etc”<br />

examines the consequences of artificial as opposed to natural selection, and in<br />

“Elements” Livingstone uses the voice of a tree to give a (concealed) sermon on human<br />

wanton destruction of the natural environment. Livingstone theref<strong>or</strong>e paints a bleak<br />

picture and offers no redemptive solutions in these poems. The next section examines<br />

those poems which do see some redemptive hope.<br />

100<br />

3. Ecological equilibrium<br />

In “Road Back” (LZ 60) Livingstone gives humankind two options, “symbiosis <strong>or</strong> death”,<br />

and refers to the Earth as “Gaia”. <strong>Symbiosis</strong> here means human symbiosis with the rest of

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