"Symbiosis or Death": - Rhodes University
"Symbiosis or Death": - Rhodes University
"Symbiosis or Death": - Rhodes University
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164<br />
And God looked upon the earth, and, behold, it was c<strong>or</strong>rupt; f<strong>or</strong> all flesh had<br />
c<strong>or</strong>rupted his way upon the earth. And God said unto Noah, The end of all flesh is<br />
come bef<strong>or</strong>e me; f<strong>or</strong> the earth is filled with violence through them; and, behold, I<br />
will destroy them with the earth. (Genesis 6: 12-13)<br />
There are c<strong>or</strong>responding Babylonian, Indian, Chinese, Burmese, New Guinean and native<br />
N<strong>or</strong>th and South American deluge st<strong>or</strong>ies (Brewer 310-11). The st<strong>or</strong>y of the flood is also<br />
found in Ovid’s Metam<strong>or</strong>phoses. Ted Hughes’ version ends with “Drowned mankind,<br />
impl<strong>or</strong>ing limbs outspread, / Floats like a plague of dead frogs” (23).<br />
In Livingstone’s modern rendition of the myth, humans are not wiped out by the<br />
flood. His is a min<strong>or</strong> natural disaster which can be put right by the bulldozers. But, until<br />
the bulldozers move in, the stinking mess on the beach is “Bad f<strong>or</strong> the tourists” (line 9)<br />
and there will be a loss of revenue. This subtly mocks the modern preoccupation with<br />
money and shows how humanity has become estranged from nature. The flood is seen<br />
primarily as an inconvenience. The bantam, which dominates the remaining three stanzas<br />
of the poem, raucously crows out his outrage and in doing so reminds us of the power of<br />
nature.<br />
The ecological message of this poem lies in the juxtaposition of the power of<br />
nature and the puniness of man. Nature’s w<strong>or</strong>kings contain “too much / inex<strong>or</strong>ability”<br />
(lines 19-20) f<strong>or</strong> humankind to rest easily in “a straight All Clear” (line 20). Even though<br />
we think we can bulldoze nature back into submission, we are mistaken. Through the<br />
flood, <strong>or</strong> natural disaster, we are made aware of our tenuous position. Livingstone uses<br />
the voice, <strong>or</strong> crowing, of the bantam to prompt his readers into awareness. The crow of<br />
the cock traditionally announces the new day. In this poem the bantam announces a new<br />
start, signified by survival of the flood. This demands “thanksgiving” (line 24). But, says<br />
Livingstone through the voice of chanticleer, we do not realise just how lucky we are to<br />
still be alive. We no longer trust “planets” <strong>or</strong> the Earth – are too distanced from nature to<br />
appreciate her power and w<strong>or</strong>kings – and yet life still triumphs. Humanity continues to<br />
live on the Earth, even though it is “no longer trusted” <strong>or</strong> acknowledged as a life-supp<strong>or</strong>t<br />
system. Because this ecological message is delivered in the voice of the bantam we are<br />
tempted not to take it seriously. The tone of the final three stanzas is both hum<strong>or</strong>ous and<br />
ridiculous. But it changes to deeply serious in the final lines of the poem. The reader has<br />
to confront the bantam’s “rage”(line 21) and face his crowing “challenge” (line 23). Why<br />
is his rage “writ too large”? Is he merely angry at the devastation caused by the flood, <strong>or</strong>