"Symbiosis or Death": - Rhodes University
"Symbiosis or Death": - Rhodes University
"Symbiosis or Death": - Rhodes University
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Chapter Five<br />
From Darwinism to Despair: the Material View in A Litt<strong>or</strong>al Zone<br />
Douglas Livingstone uses Darwin’s elegant the<strong>or</strong>y of natural selection as a metaph<strong>or</strong> f<strong>or</strong><br />
the inex<strong>or</strong>able biological process of “life pumping through as anyhow” (from “Cells” 35)<br />
and, in making his readers see that humanity is part of this relentless process of evolution,<br />
reminds us of our ecological position. But, in Livingstone’s view, this position is in<br />
reality one of anthropocentricism and ecological destruction rather than of humanity<br />
knowing its place within the web of life. I theref<strong>or</strong>e use the ecological themes of<br />
evolution and human abuse of nature (<strong>or</strong> ecological destruction) to expl<strong>or</strong>e Livingstone’s<br />
physical element <strong>or</strong> his material view in A Litt<strong>or</strong>al Zone.<br />
Evolutionary the<strong>or</strong>y<br />
In The Ascent of Science Brian Silver makes this optimistic ecological claim:<br />
[O]f all the revolutions caused by science, Darwin’s struck most dangerously at<br />
the self-image of man. Apart from attacking the literal truth of Genesis, he had<br />
shown man to be an integral part of the animal kingdom. This hist<strong>or</strong>ic turning<br />
point in our inner w<strong>or</strong>ld is the factual justification f<strong>or</strong> the increasing number of<br />
people who believe that we are not so much masters of this planet as part of it.<br />
(287)<br />
Livingstone’s examination of Darwinism becomes m<strong>or</strong>e pointed in A Litt<strong>or</strong>al<br />
Zone. Four of its 35 poems deal directly with evolution, but they also expl<strong>or</strong>e the realms<br />
of contingency and teleology which lie beyond the careful elegance of Darwin’s the<strong>or</strong>y of<br />
natural selection. In these poems Livingstone uses evolutionary the<strong>or</strong>y as a metaph<strong>or</strong> f<strong>or</strong><br />
the relentless and interconnected pattern of biological life and makes us aware of the<br />
ecological safety net which supp<strong>or</strong>ts humankind’s existence on Earth. His w<strong>or</strong>k is<br />
inf<strong>or</strong>med by James Lovelock’s Gaia hypothesis and by the the<strong>or</strong>y of evolution and the<br />
philosophical issues connected with it.<br />
Evolution and ecology are inextricably linked, f<strong>or</strong> both take into account the<br />
effect of the environment on living creatures. In an article titled “Organism, Environment<br />
and Literary Representation”, Joseph Carroll claims that “Evolutionists are of necessity<br />
ecological the<strong>or</strong>ists – they understand biological relationships as complex, systemic<br />
131