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"Symbiosis or Death": - Rhodes University

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107<br />

The poem is divided into four parts of three stanzas each. The first two parts<br />

expl<strong>or</strong>e the w<strong>or</strong>kings of the planet Earth and the final two parts the w<strong>or</strong>kings of human<br />

emotion. In both cases, science is used as an explanat<strong>or</strong>y tool. The first part alludes to<br />

nature’s sustaining power through the sea’s cyclical regulat<strong>or</strong>y function. But it also<br />

expl<strong>or</strong>es nature’s cataclysmic <strong>or</strong> disruptive f<strong>or</strong>ce in “t<strong>or</strong>n by a /lava-phlegmed volcanic<br />

sneeze” (lines 8-9) where the physiology trope (introduced in the “great heart of the<br />

w<strong>or</strong>ld”) is extended. In the second part the sun, as the provider of energy <strong>or</strong> life, is shown<br />

to be subservient to the moon which brought <strong>or</strong>der through its control of the sea’s tides.<br />

The moon is personified and directly addressed: “Pale moon, you have changed the earth<br />

/ with your look” (lines 10-11). She is lauded and indirectly praised f<strong>or</strong> her beauty and<br />

grace. The speaker refers to the Earth’s geom<strong>or</strong>phogenic f<strong>or</strong>mation and the process of<br />

continental drift in the third stanza of this section: “Millennia come and pass / the<br />

continents kiss and part” (lines 16-17). The section then ends abruptly. There is a change<br />

of tone and focus in the address to the moon. “And now? Bootprints on your face” (line<br />

18) conveys the speaker’s outrage at the moon landing’s technological tramping and<br />

trampling of the moon’s beauty.<br />

In the third part Livingstone ponders the position of human thought and emotion<br />

in the physical universe. He bases his ponderings on the connection between matter and<br />

energy in the laws of physics. He uses the First Law of Thermodynamics, which states<br />

that energy cannot be created <strong>or</strong> destroyed, to expl<strong>or</strong>e <strong>or</strong> question the w<strong>or</strong>kings of human<br />

thought and emotion. He refers, too, to Einstein’s equation E = mc² which shows that<br />

even a tiny mass (m) can be converted into an en<strong>or</strong>mous amount of energy when the mass<br />

is multiplied by the speed of light (c) and squared: 27<br />

Since matter cannot cease in<br />

some f<strong>or</strong>m <strong>or</strong> another, what<br />

of thought, emotion? Perhaps<br />

these, too, are f<strong>or</strong>ever: set<br />

to fill the eternal space<br />

between atoms, beneath the<br />

universal architraves,<br />

a merger of matter and<br />

electro-magnetic waves.<br />

27 I am grateful to Greg<strong>or</strong> Leigh f<strong>or</strong> the physics lesson.

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