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"Symbiosis or Death": - Rhodes University

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This is the death of earth.<br />

(216)<br />

F<strong>or</strong> Livingstone as scientist “Dead water and dead sand” would be the effects of the<br />

polluted sea water.<br />

120<br />

“The Black Knight” anticipates the motif of the knight errant in A Litt<strong>or</strong>al Zone; it<br />

is a camouflaged description of Livingstone’s scientific w<strong>or</strong>k and could be called a poem<br />

of ecological action. The language is highly romantic yet the message of the poem is<br />

starkly realistic: pollution will bring about the end of human life on Earth and it has to be<br />

combated.<br />

Two other ratiocinative poems in The Anvil’s Undertone also p<strong>or</strong>tray the poet as<br />

knight errant <strong>or</strong> eccentric ecological champion. “Isotopes” 28 (60) postulates in a<br />

sweeping statement that humanity has upset the ecological balance: “In an <strong>or</strong>derly<br />

universe / only man is dis<strong>or</strong>derly”. The problem, Livingstone claims, is “free-will”, and<br />

the implied solution is “the choice of chivalry”. Chivalry encompasses love, eccentricity<br />

and conviction, prerequisites f<strong>or</strong> knight errantry. These are all imp<strong>or</strong>tant f<strong>or</strong> they contain<br />

a touch of madness and point to a resolution through comedy. Jonathan Bate argues f<strong>or</strong><br />

the value of comedy as an ecological saviour. (See p 22 f<strong>or</strong> a fuller discussion. See also<br />

Joseph W. Meeker’s essay “The Comic Mode”, in Glotfelty 155-169).<br />

This motif of chivalry is expl<strong>or</strong>ed in m<strong>or</strong>e depth in “The Paladin in<br />

Conglomerate” (AU 67). The paladin is the Christ figure. The title and the diction and<br />

syntax are, perhaps, deliberately convoluted to obfuscate the poem’s criticism of Christ as<br />

failed redeemer and the p<strong>or</strong>trayal of Him as a knight errant who, theref<strong>or</strong>e, was doomed<br />

to fail in His valiant championing of the human race. Livingstone here expl<strong>or</strong>es a<br />

chivalry devoid of the comic element where the tragic hero is doomed. It is nature which<br />

is val<strong>or</strong>ised in this poem. Hist<strong>or</strong>y and religion are shown to be destructive. The<br />

ecological, then, rests on the firm foundation of "the stalwart anvil / of nature" (lines 1-2)<br />

which is, as it were, beaten by hist<strong>or</strong>y and religion. This conglomerate of culture is<br />

imposed on nature and the w<strong>or</strong>ld is "dissolved to dis<strong>or</strong>derly clamour" (line 5). Christ is a<br />

28 The OED defines isotope as: Each of two <strong>or</strong> m<strong>or</strong>e varieties of a particular chemical element which have<br />

different numbers of neutrons in the nucleus, and theref<strong>or</strong>e different relative atomic masses and different<br />

nuclear (but the same chemical) properties. Also freq., any distinct kind of atom <strong>or</strong> nucleus. (OED)

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