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"Symbiosis or Death": - Rhodes University

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212<br />

African Loving” and “Subjectivities”); and those which expl<strong>or</strong>e the role of<br />

compassion (“Beachfront Hotel”, “A Tide in the Affairs” and “Elementals”). The latter<br />

two poems are also invocations and love poems to Mother Earth herself.<br />

The poems in A Litt<strong>or</strong>al Zone which have not been included in this thesis are:<br />

“Starting Out” (8), “Reflections at Sunkist” (13), “South Beach Transients” (21), “The<br />

Cursing of Darryl Hook” (31), “Libation to the Geoid, Station 23” (56), “Isipingo” (59)<br />

and “Road Back” (60). They deal, in brief summary, with the start of Livingstone’s<br />

journey and an examination of his quixotic purpose; an autobiographical account of his<br />

descent into madness in “Reflections”; the surviv<strong>or</strong>s of the Holocaust examined through<br />

the old couple who are the South Beach transients; the power of st<strong>or</strong>ies and the role of the<br />

enchantress in the ballad about Darryl Hook; a celebration of nature and a libation to<br />

Gaia; a South African slice of life at Isipingo, and a summing up of the contents of the<br />

collection in “Road Back”.<br />

I realise that in dividing the analysis of the poems into two chapters on,<br />

alternatively, the material and Romantic views (<strong>or</strong> what Livingstone terms the physical<br />

and the psychic elements) I have perpetuated the “uneasy divide” which A Litt<strong>or</strong>al Zone<br />

seeks to bridge. I chose this framew<strong>or</strong>k f<strong>or</strong> reasons of clarity and hope that my analysis of<br />

the poems has shown that ecological destruction is the reality and ecological equilibrium<br />

the ideal. Given this reality, the volume is characterised by a tone of what Livingstone<br />

called “ecological despair”. Yet, he does offer a possibility of hope. This tentative strand<br />

of hope lies buried in the human psyche and may be unlocked through what Martin calls<br />

imaginative identification (172). It is through the imagination and the Romantic concept<br />

of the sublime (<strong>or</strong> an equivalent reverence of nature implicit in the view of deep ecology)<br />

that humankind may find symbiosis, may sidestep the dualist w<strong>or</strong>ld view which puts us in<br />

the cusp between creatures who are part of nature and rational beings who have set<br />

ourselves apart from nature.

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