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"Symbiosis or Death": - Rhodes University

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devised the concept of dasein (being in the w<strong>or</strong>ld)? Ecopoetics is, in effect, another<br />

f<strong>or</strong>m of dasein, f<strong>or</strong> it is about finding a sense of belonging (<strong>or</strong> home), within both the<br />

Earth and the w<strong>or</strong>ld. Bate argues that humankind has to move to an imaginative sense of<br />

home <strong>or</strong> belonging and it is through poetry, particularly ecopoetry, that this may be<br />

possible. “The point is rather to reflect on the relationship with earthly things that is<br />

turned into language by the poetry of dwelling” (2000: 280).<br />

David Suzuki also expl<strong>or</strong>es the power of language. His thesis differs from Bate’s<br />

in that he explicitly includes the metaphysical <strong>or</strong> what he calls “spirit”. Where Bate<br />

argues that poetry can be used as a healing tool, Suzuki stresses the imp<strong>or</strong>tance of st<strong>or</strong>ies<br />

and myth: “Like air and water, like the love and companionship of our kind, we need<br />

spiritual connection; we need to understand where we belong. Our st<strong>or</strong>ies tell us where<br />

we come from and why we are here” (184, my italics). The italicised section can be read<br />

as an ecopoetic statement. He traces our alienation <strong>or</strong> what he calls “fall from grace”<br />

(191) as far back as Plato and Aristotle who “began a powerful process of separating the<br />

w<strong>or</strong>ld-as-abstract-principle from the w<strong>or</strong>ld-as-experience” (191), and discusses Cartesian<br />

dualism which has shaped the modern view of the w<strong>or</strong>ld where things are seen as divided<br />

into subject and object, mind and body:<br />

Descartes’s famous definition of existence (‘I think theref<strong>or</strong>e I am’) completes a<br />

new myth about our relationship to the w<strong>or</strong>ld: human beings are the things that<br />

think (the only things, and that is all they are), and the rest of the w<strong>or</strong>ld is made<br />

up of things that can be measured (<strong>or</strong> ‘thought about’). Subject <strong>or</strong> object, mind <strong>or</strong><br />

body, matter <strong>or</strong> spirit: this is the dual w<strong>or</strong>ld we have inhabited ever since – where<br />

the brain’s ability to distinguish and classify has ruled the roost. From this duality<br />

come the ideas we live by, what William Blake called ‘mind f<strong>or</strong>g’d manacles,’ the<br />

mental abstractions that seem too obvious to question, that construct and confine<br />

our vision of reality. (Suzuki 192)<br />

Suzuki claims (along with Bate, Harrison, Evernden, Martin and others) that this dualistic<br />

view of the w<strong>or</strong>ld is the cause of our malaise and that we have “sent ourselves into exile<br />

to abstract the meaning and the value of the w<strong>or</strong>ld” (194-5). He posits spiritual<br />

reconciliation as a way out of this “exile” and within this broad area, he speaks of the<br />

power of poetry:<br />

Since poetry began, poets and songwriters have been fighting the mind/body<br />

dichotomy, singing their sense of the w<strong>or</strong>ld, of the body and spirit moving<br />

together through the w<strong>or</strong>ld eternally. Poetry takes the fractured, m<strong>or</strong>tal, longing<br />

human creature and reshapes it into be-longing. Crafted w<strong>or</strong>ds attempt to resolve

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