"Symbiosis or Death": - Rhodes University
"Symbiosis or Death": - Rhodes University
"Symbiosis or Death": - Rhodes University
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171<br />
symbolise cosmic evil, but rather human evil <strong>or</strong> cruelty induced by ign<strong>or</strong>ance and<br />
fear. So what has happened to the ‘knowledge of good’? This is the tension upon which<br />
the poem is based. Livingstone seeks to reverse man’s customary antipathy towards the<br />
snake. Because we connect the snake with sin we believe it must be either repressed <strong>or</strong><br />
killed. The poem offers a new perspective on this age-old belief.<br />
Where do this fear and antipathy <strong>or</strong>iginate? The image of the snake is both<br />
powerful and contradict<strong>or</strong>y with strong mythical resonance. Mircea Eliade says the<br />
serpent symbolises chaos, the f<strong>or</strong>mless and nonmanifested (19). But this is not the whole<br />
st<strong>or</strong>y. The psychologist James Hillman sees the snake as a symbol f<strong>or</strong> the unconscious<br />
psyche and claims: “It is always a ‘both’: creative-destructive, male-female, poisonoushealing,<br />
dry-moist, spiritual-material, and many other irreconcilable opposites” (26) 41 . It<br />
is these “irreconcilable opposites” which Livingstone expl<strong>or</strong>es and exposes. After a series<br />
of destructive scenarios centred around <strong>or</strong> aimed at the snake, the poem ends on a<br />
tentative note of hope through renewal.<br />
If Eve had not heeded the snake and eaten the apple humanity would, as the<br />
Christian myth has it, still be living unconsciously in paradise. In The Power of Myth<br />
Joseph Campbell reinterprets the myth and val<strong>or</strong>ises the snake:<br />
Why was the knowledge of good and evil f<strong>or</strong>bidden to Adam and Eve? Without<br />
that knowledge, we’d all be a bunch of babies still in Eden, without any<br />
participation in life. Woman brings life into the w<strong>or</strong>ld. Eve is the mother of this<br />
temp<strong>or</strong>al w<strong>or</strong>ld. F<strong>or</strong>merly you had a dreamtime paradise there in the Garden of<br />
Eden – no time, no birth, no death – no life. The serpent, who dies and is<br />
resurrected, shedding its skin and renewing its life, is the l<strong>or</strong>d of the central tree,<br />
where time and eternity come together. He is the primary god, actually, in the<br />
Garden of Eden. Yahweh, the one who walks there in the cool of the evening, is<br />
just a visit<strong>or</strong>. The Garden is the serpent’s place. (54 my italics)<br />
The poem as a “traffic interlude” is one of Livingstone’s three ‘road reveries’. It<br />
is also an imitation of the f<strong>or</strong>m used by Wallace Stevens in “Thirteen Ways of Looking at<br />
a Blackbird”. Livingstone follows the pattern of Stevens’ poem which is written in 13<br />
41 Hillman gives twelve interpretations of what the snake represents. He says it symbolises renewal and<br />
rebirth; it represents the negative mother; it is the embodiment of evil; it is a feminine symbol and is<br />
connected with both Eve and the mother goddesses; it is a phallus; it represents the material earth w<strong>or</strong>ld<br />
and is the enemy of the spirit; it is a healer; it is a guardian of holy and wise men; it brings fertility; it is<br />
Death; it is the inmost truth of the body; and, finally, it is the symbol f<strong>or</strong> the unconscious psyche (25-6)