"Symbiosis or Death": - Rhodes University
"Symbiosis or Death": - Rhodes University
"Symbiosis or Death": - Rhodes University
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158<br />
“Children at Station 16”exposes the divide between nature and humankind<br />
and implies that there is no human ecological interconnection with nature. Humanity is<br />
shown to be very much apart from the rest of nature and to be divided from itself in this<br />
poem. The implicit m<strong>or</strong>al of the poem is that compassion is the first step towards<br />
ecological health. If humankind cannot take care of her children then there is no hope of a<br />
wider nurturance of and respect f<strong>or</strong> the rest of the living w<strong>or</strong>ld.<br />
The next poem in A Litt<strong>or</strong>al Zone also examines human alienation from “nearperfect<br />
creation”. In “Eland About Station 17” (44), Livingstone imagines a time of<br />
harmony between man and nature so vividly that he “dreamed into eland” (final line) <strong>or</strong><br />
transp<strong>or</strong>ts himself into the San culture. The eland is a symbolic animal of exceptional<br />
potency in Bushman belief and is connected with the state of trance. The eland is the<br />
most frequently depicted animal in their paintings and appears in four imp<strong>or</strong>tant rituals:<br />
first-kill, girls’ puberty, marriage and shaman trance (Lewis-Williams 120). 36<br />
Livingstone finds an unrec<strong>or</strong>ded <strong>or</strong> undiscovered San cave where the rock<br />
paintings transp<strong>or</strong>t him back in time. The art speaks to him in this “hub / of silence”<br />
(lines 3-4), where the cave is likened to a sacred place. The eland becomes a ‘mystic’<br />
symbol which represents a time when the animals and the “sunfolk” (line 39) <strong>or</strong> San, the<br />
hunted and the hunter, were at one with one another, knew how to live symbiotically with<br />
and on the Earth. He mourns the passing of this time. The final stanza is a lament on the<br />
present day plight of the San people, who have been robbed both of their homeland and<br />
of their life-sustaining symbol, the Eland. Livingstone expresses his helplessness in an<br />
address to the San: “the least / I can do is to keep this cave hid f<strong>or</strong> you” (lines 45-6).<br />
Livingstone says he cannot f<strong>or</strong>give “my race”, the colonial South Africans who<br />
have dislocated the San people, have changed their status from the hunters to the<br />
“hunted” (line 42). Paul Garner says the victimisation of the San people began when they<br />
came into contact with cattle-owning people:<br />
The Bushmen over much of Southern Africa suffered greatly from interaction<br />
with cattle owning groups because they preyed on the cattle, having no concept of<br />
animal ownership in their culture, and they were hunted to extinction about 100<br />
years ago by both white and black colonists. (1)<br />
36 Lewis-Williams adds: “No wonder that the southern Bushmen believed the eland to be /Kaggen’s (The<br />
Mantis’s) favourite animal… The eland was also the Mantis’s first creation and he loved it dearly” (120).