visatekstis dokumentas (pdf) - KlaipÄdos universitetas
visatekstis dokumentas (pdf) - KlaipÄdos universitetas
visatekstis dokumentas (pdf) - KlaipÄdos universitetas
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104<br />
Krescencijus Antanas Stoškus<br />
Antropologinių teatro pagrindų<br />
eskizas<br />
identification). The other may be by the same actor or dramatist created. Both of<br />
them entail 1) vision, 2) the display of the image, and 3) actor hiding under your<br />
indicating personage. Anyone acting is dissemblance: but only theater demonstrate<br />
its dissemblance. Theatrical masks are nondetachable. There are dissembled<br />
without conceal, misleading and possibility to lie. Theater create the imaginary<br />
world in which may be stay spectator. It is necessary pretending too that he go in<br />
fabricate world and experiences of its significance. Thus, everything depends on<br />
the of dissemblance purpose. Acting is connected not only with primitive conversion<br />
and enchantment traditions, but also with personal self-creation processes,<br />
manifested itself in the need someone become and in need mask itself (close,<br />
hide). In this way the acting researches results the possibility of disclosure of the<br />
theater anthropological foundation and understanding productivity of theatrical<br />
images in social researches.