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visatekstis dokumentas (pdf) - Klaipėdos universitetas

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104<br />

Krescencijus Antanas Stoškus<br />

Antropologinių teatro pagrindų<br />

eskizas<br />

identification). The other may be by the same actor or dramatist created. Both of<br />

them entail 1) vision, 2) the display of the image, and 3) actor hiding under your<br />

indicating personage. Anyone acting is dissemblance: but only theater demonstrate<br />

its dissemblance. Theatrical masks are nondetachable. There are dissembled<br />

without conceal, misleading and possibility to lie. Theater create the imaginary<br />

world in which may be stay spectator. It is necessary pretending too that he go in<br />

fabricate world and experiences of its significance. Thus, everything depends on<br />

the of dissemblance purpose. Acting is connected not only with primitive conversion<br />

and enchantment traditions, but also with personal self-creation processes,<br />

manifested itself in the need someone become and in need mask itself (close,<br />

hide). In this way the acting researches results the possibility of disclosure of the<br />

theater anthropological foundation and understanding productivity of theatrical<br />

images in social researches.

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