Linking Culture and the Environment
Linking Culture and the Environment
Linking Culture and the Environment
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132 Destination <strong>and</strong> Place Br<strong>and</strong>ing<br />
Destination Image<br />
Destination image is one of <strong>the</strong> most widely used constructs in <strong>the</strong> tourism<br />
marketing field. Numerous researchers have engaged in <strong>the</strong> conceptualization<br />
<strong>and</strong> operationalization of destination image (Echtner <strong>and</strong> Ritchie, 1991,<br />
1993; Gallarza et al., 2002; Pike, 2002; Tasci et al., 2007). It is not <strong>the</strong> purpose of<br />
this analysis to review <strong>the</strong> many studies <strong>and</strong> definitions of destination image<br />
but ra<strong>the</strong>r to emphasize some important observations that may influence<br />
fur<strong>the</strong>r research <strong>and</strong> practical applications. Image can be defined as ‘a representation<br />
of <strong>the</strong> external form of a person or thing . . . <strong>the</strong> general impression<br />
that a person, organization, or product presents to <strong>the</strong> public’ (The New<br />
Oxford American Dictionary, 2001). Applied to <strong>the</strong> destination, it indicates a<br />
perspective from <strong>the</strong> outside, <strong>the</strong> tourists or o<strong>the</strong>r stakeholders, <strong>and</strong> a perspective<br />
that may be accurate or distorted from reality, ‘a thing that is actually<br />
experienced or seen’ (The New Oxford American Dictionary, 2001). Of<br />
course, in a postmodern world, we are also constructing reality; however, for<br />
<strong>the</strong> purpose of this paper we consider an image as <strong>the</strong> representation of <strong>the</strong><br />
real. Based on numerous studies on destination image <strong>and</strong> <strong>the</strong> above literature<br />
reviews (Echtner <strong>and</strong> Ritchie, 1991, 1993; Gallarza et al., 2002; Pike, 2002;<br />
Tasci et al., 2007), we summarize, a destination image:<br />
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is a perception by <strong>the</strong> tourists of what could be experienced at <strong>the</strong> destination;<br />
takes on different forms based on who portrays that image how, e.g.<br />
induced, covert, organic, au<strong>the</strong>ntic, etc.;<br />
is mostly measured on quantitative structured scales;<br />
is measured with adjectives perceived as real by <strong>the</strong> researcher or<br />
marketer;<br />
has cognitive, affective <strong>and</strong> conative dimensions;<br />
has a core identity, attributes that confirm <strong>the</strong> identity <strong>and</strong> an overall<br />
gestalt;<br />
has dimensions that are sometimes confused with o<strong>the</strong>r constructs<br />
(personality, attitudes <strong>and</strong> behavioural intentions).<br />
Destination image is often analysed through multidimensional scaling representing<br />
<strong>the</strong> perceived attributes of <strong>the</strong> destination. These attributes may not<br />
totally reflect <strong>the</strong> reality of <strong>the</strong> place. It is our contention that a destination<br />
image analysed by tourists’ perceptions may be useful in uncovering some<br />
stereotypical perceptions or misperceptions, but does not provide reliable<br />
guidelines for <strong>the</strong> destination marketer to ‘create’ or ‘reposition’ a destination<br />
image. For <strong>the</strong> purpose of creating an image, marketing researchers <strong>and</strong><br />
DMOs have turned towards <strong>the</strong> trendy concepts of br<strong>and</strong> <strong>and</strong> br<strong>and</strong>ing.<br />
Br<strong>and</strong> <strong>and</strong> Br<strong>and</strong>ing<br />
Tourism marketers very quickly adopt marketing concepts <strong>and</strong> practices.<br />
Br<strong>and</strong>ing appeals to marketers because it associates products with value, it<br />
br<strong>and</strong>s or marks a product with significance. The American Marketing<br />
Association defines br<strong>and</strong> as ‘a name, term, sign, symbol, or design, or a com-