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essential-guide-to-qualitative-in-organizational-research

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11 –––– Pic<strong>to</strong>rial Representation ––––––––––––––––––––––––––David R. StilesNUMBERS, WORDS AND PICTURES ––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––Long after the words from newspaper columns have faded, what rema<strong>in</strong>s <strong>in</strong> the m<strong>in</strong>ds ofmillions after 11 September 2001 are images of passenger aircraft crash<strong>in</strong>g <strong>in</strong><strong>to</strong> concrete andsteel, t<strong>in</strong>y figures plung<strong>in</strong>g <strong>to</strong> their certa<strong>in</strong> deaths and devastated firefighters wander<strong>in</strong>g lostamid smoke and rubble. As well as possess<strong>in</strong>g an aesthetic quality, pictures enable users <strong>to</strong>communicate rapidly and universally, <strong>to</strong> record and summarize ideas, and <strong>in</strong>fluence theperceptions and behaviour of ac<strong>to</strong>rs (Kotler, 1986). Given the <strong>qualitative</strong> power that suchimages convey, why are academics unlike the overwhelm<strong>in</strong>g majority of people so reluctant<strong>to</strong> embrace the pic<strong>to</strong>rial form as a means of understand<strong>in</strong>g their worlds?Subjectivity <strong>in</strong> <strong>in</strong>terpretation is one explanation for this, as are extreme variations <strong>in</strong>draw<strong>in</strong>g ability, technical publish<strong>in</strong>g difficulties and uncerta<strong>in</strong>ty about us<strong>in</strong>g the medium.Academic recalcitrance is compounded by the view that images are elusive and difficult <strong>to</strong>categorize. Another reason is that images are still regarded by the academic orthodoxy as asubjective, <strong>in</strong>ferior or even eccentric form of data compared <strong>to</strong> words and numbers (see, forexample, van Aken, 2000). Yet, digital technology has transformed pictures from an elitistknowledge doma<strong>in</strong> protected by artists, pho<strong>to</strong>graphers and graphic designers <strong>in</strong><strong>to</strong> a massmedium. This chapter explores how pic<strong>to</strong>rial representation can provide <strong>research</strong>ers with apowerful and overlooked <strong>to</strong>ol with which <strong>to</strong> develop more creative <strong>organizational</strong> strategies.The orig<strong>in</strong>s and use of pic<strong>to</strong>rial representation <strong>in</strong> organizations are explored, beforeprovid<strong>in</strong>g a theoretical foundation for us<strong>in</strong>g image. This chapter then details methodsdeveloped by the author (Stiles, 1995), with glimpses follow<strong>in</strong>g <strong>in</strong><strong>to</strong> the strategic use ofpic<strong>to</strong>rial representation <strong>in</strong> two real organizations. The last section discusses the advantages anddisadvantages of the methods used. Overall, it is felt that images can be as valuable as wordsor numbers <strong>in</strong> explor<strong>in</strong>g <strong>organizational</strong> constructs.THE USE OF IMAGE IN QUALITATIVE RESEARCH ––––––––––––––––––––––––––––––––––––––––––––––––Lately, an embryonic <strong>organizational</strong> <strong>research</strong> area has begun <strong>to</strong> emerge us<strong>in</strong>g image. Inmanagement, visual techniques have been developed <strong>to</strong> stimulate creative th<strong>in</strong>k<strong>in</strong>g andproblem solv<strong>in</strong>g (Maddox et al., 1987; Russell and Evans, 1989; Checkland and Scholes, 1990;Majaro, 1991; Rickards, 1999; Henry, 2001). Some are also explor<strong>in</strong>g <strong>organizational</strong> identity:the study of what an organization is or appears <strong>to</strong> be (Albert and Whetten, 1985). However,it is difficult <strong>to</strong> f<strong>in</strong>d a s<strong>in</strong>gle picture with<strong>in</strong> the expand<strong>in</strong>g work on <strong>organizational</strong> identity.Instead, writers assume psychological perspectives (Ashforth and Mael, 1989; Hogg and Terry,

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