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Konrad and Alexandra (PDF) - Rolf Gross

Konrad and Alexandra (PDF) - Rolf Gross

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century. The characteristic Chinese form evolved a hundred years later. By the thirteenth century Ch'an had displaced allother schools of Buddhism in China. In this period it must have reached the Sufi in Turkestan.To my question, what are the specific methods <strong>and</strong> doctrines of Ch'an, the man was silent. Eventually he smiled. "Iassume, that you know nothing about Ch'an or its Japanese variant Zen?"I nodded."Well, Ch'an uses averbal <strong>and</strong> arational methods, which one can practice, but which defy description in words... Ch'anreduced the complex <strong>and</strong> slow Indian meditational techniques, with which we search for enlightenment <strong>and</strong>underst<strong>and</strong>ing of ourselves, to their minimum essence. The methods of Ch'an are simple <strong>and</strong> practical: sit before a wall<strong>and</strong> count your breath. After some years of this meditation you will have a sudden experience of enlightenedunderst<strong>and</strong>ing. To speed up this process, the teacher occasionally gives his student a puzzle question, a conundrum tomeditate on, which does not have a verbal solution. It is supposed to teach the student that life is not rationallycomprehensible. The last step of Ch'an teaching does away with all words."He took a piece of paper <strong>and</strong> a brush. "One typical answer to your question about the essence of Ch'an is this."With a single movement of his wrist he drew a perfect ling on the paper.The abbot smiled at me expectantly, picked up his cup, <strong>and</strong> took a sip of tea.I felt an irresistible temptation to show off, asked for the brush, <strong>and</strong> with a lucky h<strong>and</strong> drew an equally perfect ling. Theman stared at me, amazed.Proud that I had successfully surprised him, I did not notice what happened next until it had happened. The abbot madean involuntary movement with his h<strong>and</strong> <strong>and</strong> spilled his tea over my ling.I was speechless.And then I understood. Complete spontaneity is the way to all insight.Slowly a smile went over the man’s face that turned into unrestrained laughter. He rose, <strong>and</strong> in an entirely un-Chineseoutburst of joy slapped me on the shoulder.How is it possible that I have never understood that you, my extraordinary challenge, have been trying to teach me thisinsight for twelve years...?We shall sail from Shanghai in three days. We shall arrive in Batumi in the first week of February, I want to spend a weekwith Irakli <strong>and</strong> Tamunia-Deda <strong>and</strong> be home by the middle of February. I shall finally hold you in my arms again.Be well until then.Your longing husb<strong>and</strong>,<strong>Konrad</strong>The whole family awaited the long-lost husb<strong>and</strong>, father, <strong>and</strong> brother-in-law with flowers, hugs, <strong>and</strong> kisses at the railwaystation. This time little Sophia rode on <strong>Konrad</strong>’s shoulders, while Otto walked next to him talking about his rides withUncle Niko <strong>and</strong> <strong>Konrad</strong>’s adventures in Samark<strong>and</strong>.At home <strong>Konrad</strong> opened his valise <strong>and</strong> spread his presents. Five lengths of magnificent printed silks, one a shade of lightgreen that grew darker towards the bottom where a b<strong>and</strong> of stylized field flowers bloomed in all colors. A yellow pilgrim’sbag stamped with the large red woodprints the monasteries of Putuo Shan Dao. A box of ivory chopsticks imprinted withChinese characters for all to try. A precious ink-stone for his calligraphy. Two necklaces of enameled beads <strong>and</strong> astrange yellow mask with a beaked snout <strong>and</strong> the big teeth of a monkey."What is this, Daddy?" asked Otto taken aback.<strong>Konrad</strong> laughed. "The mask of the Monkey King, Wang Hou, who invented grammar <strong>and</strong> came to China as the emissaryof the Buddha. These days he is the beloved acrobatic joker of the Chinese Opera. Let me show you."<strong>Konrad</strong> dug a thick, battered sketchbook from the bottom of his luggage. "See," he showed one of the drawings to Otto,"here is a scene from the opera, <strong>and</strong> there is the Monkey King making a somersault before the bearded King <strong>and</strong> hisladies."Alex<strong>and</strong>ra looked over Otto’s shoulder. "Did you do these drawings?""Yes," <strong>Konrad</strong> said happily. "I discovered that I could still draw. I used to sketch at school. You have seen me draw theflowers I collected?"Alex<strong>and</strong>ra put the volume on the table <strong>and</strong> leafed through it. His entire journey in pictures! Turbaned men at theRegistran in Samark<strong>and</strong>, the shores of Lake Baikal, Peiking, the Gardens of Suchow, <strong>and</strong> George gorging himself onshrimp on Putuo Shan Isl<strong>and</strong>. She embraced him <strong>and</strong> gave him a big kiss.Otto had disappeared <strong>and</strong> now returned with a large map of <strong>Konrad</strong>’s journey, which he had drawn. They spread themap <strong>and</strong> <strong>Konrad</strong>, full of admiration for Otto’s work, pointed at the places where the sketches came from.Meanwhile Niko had put on the monkey mask <strong>and</strong> was jumping around the room flailing his arms. He sank on his kneesbefore <strong>Konrad</strong> laughing. "Welcome home Mepo <strong>Konrad</strong>i!""The mask brings out the underused Georgian theatrical talents in you, Herr Physicist," joked <strong>Konrad</strong>. "But can you alsodo somersaults?""Your furniture is in the way. Give me a bigger stage!" Niko retorted <strong>and</strong> made a headst<strong>and</strong> wiggling his feet.177

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