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From the Beginning to Plato

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EMPEDOCLES 169<br />

as well as Aphrodite. No mortal has perceived her as she moves among<br />

<strong>the</strong>m, but pay attention <strong>to</strong> my line of argument, which will not mislead you.<br />

(fr. 17.21–6)<br />

The existence of <strong>the</strong> opposed stimuli is <strong>to</strong> be inferred from an understanding of<br />

how <strong>the</strong> elements act and react <strong>to</strong> each o<strong>the</strong>r, and any apparent personification is<br />

a question of allegory or poetic licence.<br />

Empedocles described his principles of attraction and repulsion in terms of<br />

equal balance and power. They are able <strong>to</strong> extend over <strong>the</strong> elements and act on<br />

<strong>the</strong>m, with expanding and contracting areas of application as <strong>the</strong> four are brought<br />

<strong>to</strong>ge<strong>the</strong>r or held fur<strong>the</strong>r apart. Love ‘increases’ and takes up more place in <strong>the</strong><br />

sense that more and more elemental particles may be brought <strong>to</strong>ge<strong>the</strong>r <strong>to</strong> mingle,<br />

and <strong>the</strong> converse holds ‘when Strife rises <strong>to</strong> its honours as <strong>the</strong> time is completed’<br />

(fr. 30), and <strong>the</strong> elements move out of <strong>the</strong>ir combinations <strong>to</strong> group with <strong>the</strong>ir own<br />

kind. The two principles are manifest in <strong>the</strong> patterns of attraction and separation<br />

of <strong>the</strong> elements, and are contained within <strong>the</strong> same limits as <strong>the</strong>m. In<br />

Empedocles’ <strong>the</strong>ory <strong>the</strong> consequences of this wide-ranging polar opposition are<br />

<strong>to</strong> be found at different levels: in <strong>the</strong> repeated patterns of movements and<br />

arrangements of <strong>the</strong> elements within <strong>the</strong> cosmos, in <strong>the</strong> genesis and destruction<br />

of successive generations of mortal life, and for individuals in <strong>the</strong>ir friendships<br />

and enmities.<br />

COSMOLOGY<br />

Empedocles’ four-element cosmos was a spherical everlasting plenum.<br />

Parmenides had previously argued that it is peculiarly self-contradic<strong>to</strong>ry <strong>to</strong> assert<br />

<strong>the</strong> existence of ‘what is not’ (mē on). Applied temporally this meant that <strong>the</strong>re<br />

could be no generation or destruction (which would entail earlier or later nonexistence),<br />

and in spatial terms <strong>the</strong>re had <strong>to</strong> be continuity, balance and<br />

homogeneity ‘as in <strong>the</strong> bulk of a well-rounded sphere’. Empedocles <strong>to</strong>ok this as<br />

<strong>the</strong> literal shape of <strong>the</strong> cosmos, and, as has been shown, fur<strong>the</strong>r adapted <strong>the</strong><br />

Eleatic argument by equating <strong>the</strong> non-existent with kenon (empty space), and<br />

<strong>the</strong>n denying its existence: ‘<strong>the</strong>re is no part of <strong>the</strong> whole that is empty or<br />

overfull’ (fr. 13).<br />

The a<strong>to</strong>mists later agreed with this identification of non-being with empty<br />

space, but <strong>the</strong>n reinstated it as an existing void. In Empedocles’ <strong>the</strong>ory, however,<br />

<strong>the</strong> elements are contained within <strong>the</strong> cosmos with no spaces between <strong>the</strong>m, nor<br />

did he allow <strong>the</strong> possibility of variation in consistency; this possibility had been<br />

adopted by <strong>the</strong> Ionian Anaximenes previously, <strong>to</strong> account for differences<br />

between solid, liquid and gaseous substances by assuming a process of<br />

rarefaction and condensation of primary matter. For Empedocles, earth, air, fire<br />

and water assimilate and separate in <strong>the</strong> plenum, shifting <strong>to</strong>ge<strong>the</strong>r and moving<br />

apart in continually changing arrangements and rearrangements, while each<br />

keeps its character inviolate.

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