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From the Beginning to Plato

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344 PLATO: METAPHYSICS AND EPISTEMOLOGY<br />

of Forms is <strong>the</strong> same relation as his earlier notion of participation—in <strong>the</strong> sense<br />

that for a Form S <strong>to</strong> participate in a Form F is for S <strong>to</strong> possess F as a property,<br />

just as for an individual S <strong>to</strong> participate in a Form F is for it <strong>to</strong> have F as a<br />

property. 46 Consequently, self-predication is a feature of <strong>the</strong> Sophist’s Kinds 47<br />

since <strong>the</strong> on<strong>to</strong>logical analysis of <strong>the</strong> fact that <strong>the</strong> Triangle is a figure is: <strong>the</strong> Kind<br />

Triangularity participates in <strong>the</strong> Kind Figure, and hence is a figure in <strong>the</strong> same<br />

way as particular triangles are. Given that <strong>the</strong> Kinds are also ‘divine’ (254b),<br />

<strong>the</strong>y must be <strong>the</strong> same Forms which we find in <strong>the</strong> middle period dialogues.<br />

Divinity also characterizes <strong>the</strong> ‘Henads’ of <strong>the</strong> Philebus (62a), a very late<br />

dialogue mainly concerned with ethical problems but containing important and<br />

no<strong>to</strong>riously obscure passages on metaphysics with Pythagorean over<strong>to</strong>nes absent<br />

from earlier works. The obscurity is probably due, in part, <strong>to</strong> <strong>the</strong> metaphysics of<br />

<strong>the</strong> Philebus being grounded in Pla<strong>to</strong>’s ‘unwritten doctrines,’ 48 about which our<br />

knowledge is very thin.<br />

Pla<strong>to</strong> divides ‘all beings’ in<strong>to</strong> <strong>the</strong> categories of (1) Limit, (2) <strong>the</strong> Unlimited,<br />

(3) <strong>the</strong> mixture of Limit and <strong>the</strong> Unlimited, (4) <strong>the</strong> cause of this mixture. (4) is<br />

relatively clear, being identified with intellect, but <strong>the</strong> rest of <strong>the</strong> scheme resists<br />

interpretation because of <strong>the</strong> shifting usage of <strong>the</strong> notions of Limit and Unlimited,<br />

and <strong>the</strong> bizarre diversity of examples from <strong>the</strong> mixed class.<br />

The Limit-Unlimited contrast is associated with <strong>the</strong> contrast between one<br />

‘Henad’ with a specific number of species, and its indefinitely large range of<br />

generable and destructible instances (16c-d). But Limit is later explained in<br />

terms of <strong>the</strong> notion of a numerical ratio or measure (2 5 a), and still later<br />

connected <strong>to</strong> <strong>the</strong> ideas of moderation and a balanced and good proportion (26a).<br />

Correspondingly, <strong>the</strong> Unlimited is not only associated with <strong>the</strong> idea of an<br />

indefinite range of particular instances but is explained in terms of scales of<br />

qualities referred <strong>to</strong> with pairs of comparative adjectives: hotter-colder, higherlower,<br />

etc., which are generally characterized as admitting <strong>the</strong> more and <strong>the</strong> less,<br />

and as in <strong>the</strong>mselves admitting no definite quantity. Fur<strong>the</strong>r, <strong>the</strong> Unlimited also<br />

includes pleasure and <strong>the</strong> life of pleasure. The difficulties are fur<strong>the</strong>r<br />

compounded by Pla<strong>to</strong>’s identification of <strong>the</strong>se different notions of Limit and<br />

Unlimited (23c) and by <strong>the</strong> disparate nature of <strong>the</strong> examples from <strong>the</strong> mixed<br />

class: it includes a moderate amount of pleasure, <strong>the</strong> life which combines<br />

pleasure and intellect, <strong>the</strong> art of music, fair wea<strong>the</strong>r, health and virtue of character.<br />

As <strong>the</strong>se last examples show, Pla<strong>to</strong>’s scheme cannot be interpreted in terms of<br />

Aris<strong>to</strong>tle’s notions of form (Limit), matter (Unlimited) and composite (mixture).<br />

Never<strong>the</strong>less, it appears that Pla<strong>to</strong> is analysing entities in<strong>to</strong> what can be loosely<br />

called ‘formal’ and ‘material’ elements.<br />

How do <strong>the</strong> Forms fit in<strong>to</strong> this classification? If <strong>the</strong> One of <strong>the</strong> One-Many<br />

problem raised at 13e–15c corresponds <strong>to</strong> a (perhaps ‘ma<strong>the</strong>maticized’) Form<br />

from earlier dialogues, <strong>the</strong>n since <strong>the</strong> One-Many problem arises for all items in<br />

classes (1)–(3) (23e, 24e, 26d), Forms do not fall under any one of <strong>the</strong>se classes<br />

but ra<strong>the</strong>r <strong>the</strong>re are Forms for all <strong>the</strong> beings in (1)–(3). So, for instance, <strong>the</strong>

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