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From the Beginning to Plato

From the Beginning to Plato

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316 FROM THE BEGINNING TO PLATO<br />

own claim <strong>to</strong> lack <strong>the</strong> expertise that is virtue 88 prohibits him from supplying a<br />

more substantive moral <strong>the</strong>ory. Perhaps this is yet ano<strong>the</strong>r way in which Socrates<br />

stands at <strong>the</strong> beginning of moral philosophy. Many, if not all, of <strong>the</strong> subsequent<br />

Greek moral philosophers may be seen as completing <strong>the</strong> work that Socrates<br />

could only begin.<br />

NOTES<br />

1 <strong>From</strong> Guthrie [9.33]. O<strong>the</strong>r translations are my own unless o<strong>the</strong>rwise noted.<br />

2 See Aris<strong>to</strong>tle The Parts of Animals 642a28 and Metaphysics 987b1–4 and<br />

1078b17.<br />

3 See <strong>the</strong> title of <strong>the</strong> present essay. See also Guthrie [9.33], 97–105. Indeed, much of<br />

what I have <strong>to</strong> say here in <strong>the</strong> introduc<strong>to</strong>ry section regarding this tradition and <strong>the</strong><br />

puzzle it raises follows Guthrie’s remarks. My response <strong>to</strong> this puzzle, however,<br />

diverges significantly from Guthrie’s.<br />

4 Socrates is also mentioned in <strong>the</strong> Frogs and <strong>the</strong> Birds.<br />

5 His o<strong>the</strong>r Socratic works are <strong>the</strong> Apology, Symposium and <strong>the</strong> Oeconomicus.<br />

6 Not counting those dialogues which are generally considered spurious. The<br />

Alcibiades I and <strong>the</strong> Clei<strong>to</strong>phon have recently garnered some supporters; for <strong>the</strong><br />

former see Annas [9.1] and for <strong>the</strong> latter see Roochnik [9.75]. If <strong>the</strong>y are genuinely<br />

Pla<strong>to</strong>nic, <strong>the</strong>n 22 of <strong>the</strong> dialogues feature Socrates as a primary speaker.<br />

7 Not counting <strong>the</strong> occasions in which he uses Socrates as an example in various<br />

arguments.<br />

8 Aris<strong>to</strong>tle’s portrait agrees in most essentials with <strong>the</strong> Pla<strong>to</strong>nic portrait.<br />

9 I am hedging here because I am well aware that <strong>the</strong>re are many first-rate Socratic<br />

scholars who do not accept Vlas<strong>to</strong>s’s solution. See, esp. Kahn [9.40], [9.41], [9.<br />

42], [9.43], [9.44], [9.45], [9.46], and [9.47]. Moreover, even among those scholars<br />

who accept <strong>the</strong> substance of Vlas<strong>to</strong>s’s approach, few would accept it in all of its<br />

detail. Never<strong>the</strong>less, Vlas<strong>to</strong>s’s well-deserved scholarly reputation, <strong>the</strong> plausibility of<br />

<strong>the</strong> approach, and <strong>the</strong> characteristic clarity and force of his argument will likely<br />

make his approach <strong>the</strong> paradigm for years <strong>to</strong> come. In any case, I believe <strong>the</strong> basic<br />

outline of <strong>the</strong> approach <strong>to</strong> be correct.<br />

10 Vlas<strong>to</strong>s [9.94] was published posthumously under <strong>the</strong> edi<strong>to</strong>rship of Myles<br />

Burnyeat.<br />

11 Actually, Vlas<strong>to</strong>s’s dismissal of Aris<strong>to</strong>phanes is made explicitly only in Vlas<strong>to</strong>s [9.<br />

91]. I am somewhat more sympa<strong>the</strong>tic <strong>to</strong> Aris<strong>to</strong>phanes’ portrait than is Vlas<strong>to</strong>s.<br />

12 The Pla<strong>to</strong>nic dialogues have traditionally been divided in<strong>to</strong> three groups,<br />

corresponding <strong>to</strong> <strong>the</strong>ir supposed order of composition: <strong>the</strong> early dialogues (in<br />

alphabetical order): Apology, Charmides, Cri<strong>to</strong>, Euthydemus, Euthyphro, Gorgias,<br />

Hippias Major, Hippias Minor, Ion, Laches, Lysis, Menexenus, Protagoras,<br />

Republic I; <strong>the</strong> middle dialogues (in alphabetical order): Cratylus, Parmenides,<br />

Phaedo, Phaedrus, Republic II–X, Symposium and Theaetetus; <strong>the</strong> late dialogues<br />

(in alphabetical order): Critias, Laws, Philebus, Politicus, Sophist, Timaeus. (I have<br />

excluded <strong>the</strong> Meno from <strong>the</strong>se three groups, because it is commonly taken <strong>to</strong> be<br />

transitional between <strong>the</strong> early and middle periods, containing elements of both.)<br />

While more fine-grained orderings have been proposed, <strong>the</strong>y have never received

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