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From the Beginning to Plato

From the Beginning to Plato

From the Beginning to Plato

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228 THE SOPHISTS<br />

on <strong>the</strong> o<strong>the</strong>r hand is what occurs when people are concerned <strong>to</strong> secure apparent<br />

vic<strong>to</strong>ry in argument without any concern for what is in fact <strong>the</strong> truth. Pla<strong>to</strong>’s<br />

charge against <strong>the</strong> sophists is that <strong>the</strong>y developed <strong>the</strong> method of antilogic simply<br />

for eristic purposes, and his concealed criticism is that this was because <strong>the</strong>y<br />

failed <strong>to</strong> use it in order <strong>to</strong> ascend by dialectic <strong>to</strong> an understanding of <strong>the</strong> Forms.<br />

The opposition of one argument <strong>to</strong> ano<strong>the</strong>r has a clear practical application,<br />

namely <strong>the</strong> process of public debate whe<strong>the</strong>r political or philosophic. It<br />

consequently provided an effective basis for sophistic teaching on rhe<strong>to</strong>ric and<br />

some have supposed that <strong>the</strong> teaching of rhe<strong>to</strong>ric was not only an essential<br />

element in <strong>the</strong> Sophistic Movement but constituted <strong>the</strong> whole of <strong>the</strong>ir intellectual<br />

activity. 3 On this view <strong>the</strong> sophists were teachers of rhe<strong>to</strong>ric and this is all that<br />

needs <strong>to</strong> be said about <strong>the</strong>m. They would <strong>the</strong>n, it is argued, have no claims <strong>to</strong> a<br />

place in this his<strong>to</strong>ry of Greek philosophy.<br />

Such a judgement raises conceptual issues of considerable importance. In<br />

modern discussions it has long been a matter of convention <strong>to</strong> oppose rhe<strong>to</strong>ric <strong>to</strong><br />

philosophy. Rhe<strong>to</strong>ric is regarded as <strong>the</strong> art of persuasive or impressive speaking<br />

or writing, or <strong>the</strong> use of language <strong>to</strong> persuade or impress often with <strong>the</strong><br />

implication of insincerity or exaggeration. Philosophy on <strong>the</strong> o<strong>the</strong>r hand is seen<br />

as <strong>the</strong> love of wisdom or knowledge, especially that which deals with ultimate<br />

reality or with <strong>the</strong> most general causes and principles of things. But it is probable<br />

that no such opposition was <strong>to</strong> be found in <strong>the</strong> earliest Greek uses of <strong>the</strong><br />

expression ‘<strong>the</strong> art of rhe<strong>to</strong>ric’; this was unders<strong>to</strong>od simply <strong>to</strong> refer <strong>to</strong> <strong>the</strong> best<br />

and most correct use of language. Thus in Pla<strong>to</strong>’s Gorgias (449erff.), when<br />

Socrates asks <strong>the</strong> sophist Gorgias ‘what is rhe<strong>to</strong>ric about?’ he receives <strong>the</strong><br />

answer that it is <strong>the</strong> art which makes men good at speaking and also makes <strong>the</strong>m<br />

good at thinking about <strong>the</strong> subjects on which it teaches <strong>the</strong>m <strong>to</strong> speak. This raises<br />

<strong>the</strong> possibility that on Gorgias’ view <strong>the</strong> most correct use of language will be<br />

that which best expresses <strong>the</strong> nature and structure of reality or <strong>the</strong> way things<br />

are. This is in no way inconsistent with <strong>the</strong> use of rhe<strong>to</strong>ric as a means of<br />

persuasion, and Socrates proceeds in what follows in <strong>the</strong> Gorgias <strong>to</strong> secure<br />

admissions from Gorgias that persuasion was a major feature of rhe<strong>to</strong>ric. But for<br />

Gorgias, persuasion, at least when properly used, is based on <strong>the</strong> communication<br />

of truth. For most or all of <strong>the</strong> sophists, however, truth is based on a<br />

phenomenalistic view of reality, and this is something which Pla<strong>to</strong> rejected. So in<br />

Pla<strong>to</strong>’s eyes <strong>the</strong> sophists were <strong>to</strong> be condemned because when <strong>the</strong>y were<br />

concerned with <strong>the</strong> art of persuasion <strong>the</strong>y were not concerned with <strong>the</strong><br />

communication of non-phenomenalistic truth.<br />

PROTAGORAS<br />

Protagoras was <strong>the</strong> most famous of all <strong>the</strong> sophists and Pla<strong>to</strong> seems <strong>to</strong> have<br />

believed that he was <strong>the</strong> first <strong>to</strong> adopt <strong>the</strong> name of sophist and <strong>to</strong> charge fees for<br />

<strong>the</strong> instruction which he offered (Protagoras 349a2–4). He was born in Abdera,<br />

an Ionian colony on <strong>the</strong> coast of Thrace, probably not later than 490 BC, and he

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