15.01.2013 Views

EUROPEAN MEDIA ART FESTIVAL OSNABRUECK 2011 - Emaf

EUROPEAN MEDIA ART FESTIVAL OSNABRUECK 2011 - Emaf

EUROPEAN MEDIA ART FESTIVAL OSNABRUECK 2011 - Emaf

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

There is no causal story in the conventional sense; as one of the film characters, falling out<br />

of her role, as it were, records a formal gesture that, so to speak, shapes the entire film: ›They<br />

were digging for the story, but only hit upon the ideas of others.‹ Meeting concretely are the<br />

following apparitions or revenants of film history: Hari (Solaris, Andrej Tarkovsky), Giuliana<br />

alias Julian (Il Deserto Rosso, Michelangelo Antonioni), and Nana (Vivre sa Vie, Jean-Luc Godard).<br />

Along with quotations of their roles, also stylistic and auditory elements of the reference<br />

material find their way into the film. But with Ruhm, the characters, or rather, their descriptions<br />

do not appear as pure reference elements, but instead, they are in the best sense<br />

of the word debased, and continued with the help of stylistic means from, for example, musicals,<br />

slapstick, Mangas, and computer language. The reference instead mutates to a gesture<br />

of reverence, an affective dedication that is enhanced with contemporary aspects, including<br />

biographical ones. Driven by cinematic figures, Ruhm creates a fascinating, attractive,<br />

theatrical film space in word, sound, and image, which at the same time serves as a performance<br />

stage for three outstanding actors. (Dietmar Schwärzler, translation: Lisa<br />

Rosenblatt)<br />

Constanze Ruhm, *1965 in Vienna. She studied at the Academy of Applied Arts in Vienna and<br />

at the Staedelschule in Frankfurt. Since 1990, her installations have been shown at international<br />

exhibitions, and retrospectives of her films and videos have been presented. She is also<br />

active as an author and curator (e.g. Künstlerhaus Stuttgart, Secession Vienna, ZKM Karlsruhe,<br />

...). Her work develops a contemporary art praxis that investigates the interaction between<br />

film/filmtheory, theatrical forms andNew Media, especially in regard to questions of female<br />

identity. From 2004-2006 she has been professor of film and video at Merz-Academy in<br />

Stuttgart. Since 2006 she is professor of art and media at the University of Fine Arts in Vienna.<br />

�A / D 2010, Video, 69:00<br />

�Director, script Constanze Ruhm<br />

�Camera Eduardo Lopes<br />

�Editing Constanze Ruhm, Christine Lang<br />

�Distribution sixpackfilm<br />

35

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!