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EUROPEAN MEDIA ART FESTIVAL OSNABRUECK 2011 - Emaf

EUROPEAN MEDIA ART FESTIVAL OSNABRUECK 2011 - Emaf

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INTERNATIONAL SELECTION<br />

GREEN SCREEN<br />

SOMEWHERE ONLY WE KNOW<br />

Jesse McLean<br />

Kurz vor dem Ausscheiden droht die Spannung sie aus der Fassung<br />

zu bringen, die Kandidaten warten und erfahren nun, ob<br />

sie nach Hause fahren müssen. Das Publikum zu Hause ist genauso<br />

gespannt ... Teil zwei der Bearing Witness Trilogie die sich<br />

damit beschäftigt wie wir, als Kultur, uns selbst betrachten, vor<br />

allem in Momenten von großer emotionaler Bedeutung. Mit<br />

Filmmaterial ausgewählt aus Mainstream media und TV, destillieren<br />

die Videos (The Eternal Quarter Inch, Somewhere only we<br />

know, The Burning Blue) aufrichtige Augenblicke aus eigentlich<br />

unseriösen Quellen zusammen (Fernsehprediger, Kandidaten in<br />

Reality Shows, Bildschirmschoner, B-Movies). Da sie in verschiedenen<br />

Welten verankert sind, versetzen die Videos die Zuschauer<br />

mal in die Rolle des Voyeurs und dann wieder in die des<br />

Teilnehmers.<br />

Standing on the brink of elimination, the suspense threatening<br />

to fracture their composure, contestants wait and see if they<br />

will be going home. The audience at home is also waiting... Part<br />

two of Bearing Witness Trilogy concerned with how we, as a culture,<br />

watch ourselves, especially in moments of great emotional<br />

significance. With footage culled from mainstream media and<br />

television, the single-channel videos (The Eternal Quarter Inch,<br />

Somewhere only we know, The Burning Blue) distill moments of<br />

sincerity from perhaps insincere sources (televangelists, reality<br />

show contestants, screensavers, B-movies). Located in interstitial<br />

spaces, these videos continually shift the role of the viewer<br />

between voyeur and participant.<br />

Jesse McLean grew up in Pennsylvania, studied Art at Oberlin<br />

College and received her MFA in Moving Image from University of<br />

Illinois at Chicago. She has shown her work most recently at Yerba<br />

Buena Center for the Arts, Threewalls, Migrating Forms at Anthology<br />

Film Archives, Art Chicago, Portland Documentary and<br />

Experimental Film Festival, Director's Lounge in Berlin, FLEX,<br />

Monkeytown, Sullivan Galleries, Chicago Underground Film Festival,<br />

LUMP gallery/projects and Space 1026. She lives and works<br />

in Chicago, IL.<br />

�USA 2009, Video, 5:15<br />

�Realisation Jesse McLean<br />

�Distribution Video Data Bank<br />

�Image copyright of the artist,<br />

courtesy of Video Data Bank, www.vdb.org<br />

TURNING TORSO<br />

Stefan Neuberger<br />

Der Turning Torso ist das neue Wahrzeichen<br />

der schwedischen Stadt Malmö. Ein 190 Meter<br />

hoher Wolkenkratzer, der einen sich drehenden<br />

menschlichen Körper darstellt.<br />

›Normalerweise möchte ich mich nicht umdrehen,<br />

weil ich Angst habe der Gefahr ins<br />

Gesicht zu blicken.‹<br />

The Turning Torso is the new landmark of the<br />

Swedish city Malmö. It's a 190 meter high<br />

skyscraper that represents the form of a<br />

twisting human being.<br />

›I usually don’t want to turn around, because<br />

I am afraid of facing the danger.‹<br />

Stefan Neuberger, *1983 in Nuremberg, has<br />

been studying at the Filmakademie Baden-<br />

Württemberg since 2005. He lives and works<br />

in Berlin.<br />

�D 2010, Video, 4:35<br />

�Director Stefan Neuberger<br />

�Script Stefan Neuberger,<br />

Christophe Rolin, Olivier Jourdain<br />

�Camera Christophe Rolin<br />

�Editing Olivier Jourdain<br />

�Sound Dave Abbot<br />

�Music mix Dave Abbot, Jonathan Schorr<br />

�Cast Hrvoslava ›Lala‹ Brkušic,<br />

Melissa Suárez del Real Adalid,<br />

Frida Nordström,<br />

Lina Sundén pursued unknown<br />

�Producers Lina Sundén,<br />

Frida Nordström, Jenny Trobeck<br />

�Distribution Stefan Neuberger<br />

53

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