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Presuppositions in Spoken Discourse

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Chapter 6<br />

This section exam<strong>in</strong>es the opposite problem, th<strong>in</strong>gs that aren’t perceived as<br />

bridg<strong>in</strong>g but unfortunately would be treated as such if we consistently look for<br />

relationships such as those outl<strong>in</strong>ed <strong>in</strong> Table 10.<br />

If bridg<strong>in</strong>g NPs regularly have multiple anchors <strong>in</strong> the context, then are the<br />

def<strong>in</strong>ite NPs identified <strong>in</strong> the corpus as new characterized by their lack of<br />

relationships to the text? How new are those examples identified as new(N)? Look<br />

at the example below, where the speaker is describ<strong>in</strong>g how he prepares before he<br />

attends a play.<br />

(17) (3-5a 212)<br />

Speaker A: I sort of read A:[the play] before I go to see it usually. I like to study it a<br />

week before, and then take B:[my impressions] to the play...<br />

Here, B:[my impressions] was tagged by both annotators as new(N), though on<br />

reflection it is clear that it can be further modified as ‘the impressions I get from<br />

read<strong>in</strong>g a play before I go to see it,’ or ‘my impressions from the study of the play,’<br />

and could easily be considered to be bridged to A:[the play] or to the see<strong>in</strong>g event.<br />

Let’s exam<strong>in</strong>e another example.<br />

(18) (3-5a 49)<br />

Speaker A after . Murder <strong>in</strong> the Cathedral he wrote a - preface {didn’t he} of some<br />

sort say<strong>in</strong>g that - he was try<strong>in</strong>g to br<strong>in</strong>g {poetry} back <strong>in</strong>to [@m] .<br />

drama . but . I don’t th<strong>in</strong>k . he succeeded at all<br />

Speaker B you don’t<br />

Speaker A no . [ae?] I th<strong>in</strong>k you can tell <strong>in</strong> Murder <strong>in</strong> the Cathedral - especially [?i]<br />

you see if you’ve heard it [@m?@] I I once acted <strong>in</strong> Murder <strong>in</strong> the<br />

Cathedral . and [@m] . mean the A:[the poetry], especially the<br />

choruses really drives home <strong>in</strong> that - you can tell<br />

Here A:[the poetry] is tagged as new, but aga<strong>in</strong>, it could be related to many of the<br />

different semantic <strong>in</strong>dividuals or events <strong>in</strong>troduced <strong>in</strong> the previous discourse. This<br />

is similar for most of the examples tagged as new(N). And <strong>in</strong>deed, I re-exam<strong>in</strong>ed all<br />

the examples tagged as new(N) by both annotators and I have come to the<br />

conclusion that there are seldom examples that cannot be <strong>in</strong>terpreted either as 1)<br />

related to the earlier discourse, but <strong>in</strong> a way that is difficult to describe and predict,<br />

as <strong>in</strong> the example above, or 2) seems to be someth<strong>in</strong>g that is well known to the<br />

discourse participants, and here many of the examples of NPs modified by<br />

possessives can be found, such as references to “your application,” or “your little<br />

girl.” Also, “your English” is clearly related to the context of the discourse, and<br />

th<strong>in</strong>gs like “my father” are quite predictable. Possessives seem to be more<br />

<strong>in</strong>tegrated <strong>in</strong> the discourse record by their very nature than def<strong>in</strong>ite noun phrases<br />

because they not only <strong>in</strong>troduce a new object/<strong>in</strong>dividual, but also relate it to<br />

someone else <strong>in</strong> the discourse context.<br />

Not all relationships are consciously perceived, and whether or not they are<br />

seems to be dependent on the <strong>in</strong>terpreter. There was one consistent difference<br />

between the author and the second annotator worth comment<strong>in</strong>g on. The second<br />

172

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