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Flanger<br />
The Flanger effect is a short modulated delay line with feedback to the input. It is used for a<br />
sense of movement and for psychedelic effects from the subtle to the extreme.<br />
The modulation source is a sine LFO with adjustable frequency.<br />
Freq<br />
The Freq (frequency) control affects the speed of modulation of the delay time.<br />
Depth<br />
The Depth control adjusts the amount of modulation of the delay time.<br />
Display<br />
The needle display in the Flanger effect represents the current delay time.<br />
Position<br />
This is a fixed delay time which is added to the delay time which is modulated by the internal LFO. It is a very short delay, ranging<br />
from 0 ms to 15 ms.<br />
Feedback<br />
This control adjusts the amount of the flanged signal that is fed back into the input.<br />
Higher feedback settings result in a more pronounced flanging effect. Settings over 50% lead to extreme comb filter type effects.<br />
Spread (stereo only)<br />
This control allows you to adjust the panning of the left and right channel processed signals.<br />
Phase (stereo only)<br />
The Phase control offsets the phase of the internal LFOs for the left and right channels.<br />
Mode<br />
By default (with this button turned off), the flanged signal is in positive phase with the input signal.<br />
Enabling this button results in the flanged signal is out of phase with the input signal.<br />
A positive phase setting tends to lead to a more obvious flanging effect.<br />
Chorus<br />
The Chorus effect is a modulation effect that is pitch-based. It is used for thickening up<br />
sounds.<br />
Freq<br />
The Freq (frequency) control affects the speed of pitch modulation.<br />
Depth<br />
The Depth control adjusts the amount of modulation away from the input signal’s original<br />
pitch.<br />
Display<br />
The needle display in the Chorus effect represents the speed and depth of modulation in relation to the original pitch (the centre<br />
position).<br />
Spread (stereo only)<br />
This control varies the panning of the left and right pitch-modulated signals.<br />
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