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Boxoffice-November.24.1951

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PROJECTION AND SOUND<br />

Here Is<br />

How to Check the Equipment<br />

WHEN TROUBLE STRIKES<br />

IN<br />

YOUR BOOTH<br />

riow WELL DO YOU know your equipment?<br />

Do you know where the fuses are<br />

located—how to quickly check for trouble<br />

in the amplifier, speakers—sound lens setting—speed<br />

of projector, etc? Knowing<br />

your equipment is very important if you<br />

want good results. I cannot too strongly<br />

emphasize that every projectionist should<br />

be thoroughly acquainted with all the<br />

equipment under his control. A block diagram<br />

is necessary for quick checking of any<br />

sound system for trouble. It is best to establish<br />

a systematic routine when searching<br />

for trouble. First, know where all your<br />

fuses for the amplifier, projection room.<br />

by WESLEY TROUT^<br />

poor contact or dirty contact. Let us next<br />

check all the connections from soundhead<br />

to amplifier to be sure they are okay. Keep<br />

wiring clean and connection tight. Did you<br />

(Continued on the next pagei<br />

Trouble in the Soundhead?<br />

Here's What to Do:<br />

1. Trouble in the soundhead is sometimes due to<br />

a defective P. E. cell, exciter lamp out of focus, dirt<br />

or oil on the sound lens, exciter lamp not burning or<br />

filament sagging. Check P.E. cell voltage. Keep all<br />

connections tight and free of oil.<br />

2. The next unit is the pre-amplifier. See if input<br />

tube or tubes are okay. Most of the modern amplifiers<br />

have meters and you can quickly tell if a circuit<br />

is all right, but check tubes as explained in the<br />

accompanying article.<br />

3. Check the power unit of the amplifier, tubes,<br />

connections, resistors, condensers and see it tubes<br />

check okay and voltages ore correct.<br />

The next check is bock stage where the speakers<br />

are, if everything is oil right in the projection booth.<br />

Your trouble there might be in the crossover box,<br />

poor connection, defective speaker field, etc.<br />

rectifiers or motor generator set are lo-<br />

Let us check first and see if the exciter<br />

lamps are lit. Remove film and check, with<br />

small white card, if light is coming through<br />

Systematic checking is the quick way (o locate<br />

trouble, and the units to check, as indicated in the<br />

above photograph, arc the soundhead, the preamplifier<br />

and the amplifier power unit. If all of these<br />

arc all right, the next check is on speaker lines and<br />

speakers. The above booth, with Motiograph pro-<br />

"Engineer-Manager, Convonlion Hall, Enid, Okla.<br />

cated. If the sound system suddenly goes<br />

dead, check the fuses; the same, if the<br />

rectifiers or generator set quits. If your<br />

power is okay to whatever equipment goes<br />

dead, then the trouble boils down to locating<br />

the unit in which the defect exists.<br />

sound lense to the P.E. cell. This double<br />

checks the exciter lamp for correct alignment<br />

and .shows if there is any obstruction<br />

cutting light, or part of it, off. Now operate<br />

fader or changeover switch several<br />

times in order to eliminate any possible<br />

check P.E. cell voltage? Now if you find<br />

everything okay with the soundhead, let's<br />

check the amplifier. Turn up the volume<br />

lecton, located in the Ross Theatre, Evansville, Ind.,<br />

A<br />

background<br />

of varied experience<br />

in the theatre<br />

business particulary<br />

in projection<br />

qualifies<br />

Wesley Trout to<br />

write with authority<br />

on solutions<br />

to the<br />

problems that<br />

beset the man in the booth.<br />

His show<br />

business days date back 25 years to<br />

Clinton, Okla., where he managed a<br />

theatre. In addition, his experience includes<br />

projection, ushering, advertising<br />

and publicity and management. He<br />

has authored several books on servicing<br />

equipment, including sound. His<br />

articles on projection and/or sound<br />

will appear in regular issues of the<br />

Modern Theatre Section of <strong>Boxoffice</strong>.<br />

is exceptionally well laid out. Note the fire shutters<br />

are fused, and all connected on one master pipe, the<br />

observation ports are of ample size, the projection<br />

ports are standard size with glass to keep noise out<br />

of the auditorium. Under each lamphouse is a container<br />

for carbon stubs, and changeover switches are<br />

ideally located on the base of the projector pedestal.<br />

r<br />

.-dllie<br />

^*tt<br />

'i%<br />

68<br />

The MODERN THEATRE SECTION<br />

r'TF

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