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Boxoffice-November.24.1951

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You Can Avoid Fire<br />

Losses by Good<br />

Housekeeping<br />

by CHESTER FRIEDMAN*<br />

In theatre operation, the synonym<br />

for fire prevention is cleanliness. The theatre<br />

which is clean offers a minimum hazard<br />

from the danger of fire. Regular inspections<br />

daily, modern fire-fighting equipment,<br />

and a staff trained to meet emergencies<br />

provide the most effective guarantee<br />

that life and property will be safeguarded.<br />

One of the benefits which accrue from<br />

these conditions is lower insurance premiums,<br />

since every insurance company<br />

jacks up its rates if reports submitted by<br />

their inspectors are not satisfactory.<br />

As the first step in any fire prevention<br />

program, a cleanup and checkup campaign<br />

is necessary. The cleanup should<br />

start on the roof, with all encumbrances<br />

removed from it and from fire-escapes. It<br />

should progress downward to the basement,<br />

floor by floor and room by room, with all<br />

impedimenta, particularly inflammable materials<br />

and old useless display pieces, removed<br />

bodily from the theatre premises.<br />

Loose rags, oily waste, empty cardboard tube<br />

containers, old scenery and props, display<br />

pieces—all contribute to the dangers of fire<br />

and to ultimate damage should a fire break<br />

out.<br />

WATCH THE PROJECTION BOOTH<br />

The projection booth, one of the most<br />

vulnerable spots where fire is likely to start,<br />

should come under daily surveillance. Loose<br />

rags, oily waste, and especially small bits<br />

of film left around loosely, are objects<br />

noted by insurance inspectors and result in<br />

higher premiums. The exhibitor who provides<br />

air-tight containers for waste film,<br />

rags, etc., is guarding himself against increased<br />

costs of operation and the danger<br />

of being put out of business.<br />

A .systematic inspection of the projection<br />

booth at periodic intervals is essential<br />

from the standpoints of getting greater efficiency<br />

from the mechanism and eliminating<br />

some of the fire hazards. Shutters,<br />

guides, fusible devices, fire doors, the lamp<br />

house, the booth ventilating system—and<br />

above all, fire fighting equipment—require<br />

daily inspection by the operators. The exhibitor<br />

who makes a personal inspection<br />

at least once a week keeps the operator on<br />

Editor, BOXOmCE Showmandiser Section, This<br />

article is based on tiis experiences as a iormer theatre<br />

manager and upon his interviews with other<br />

Iheatrrj manaqer.s.<br />

88<br />

his toes and reassures himself on safety<br />

precautions.<br />

Another vulnerable condition arises from<br />

defective wiring in old theatres. Dozens of<br />

exhibitors have left their theatres at night<br />

with everything in apparent good order,<br />

only to find that between midnight and<br />

morning, a fire stemming from defective<br />

wiring, had put them out of business. Age,<br />

corrosion and dry rot eventually take their<br />

toll of the insulation and protective covering<br />

on the wiring. Many old structures<br />

were built before modern building codes<br />

were introduced. Frequently the wiring in<br />

these structures is located near inflammable<br />

building substances. In these cases,<br />

exposed wires have been known to smolder<br />

throughout the day and break into flame<br />

many hours after the theatre had closed<br />

for the night.<br />

EXAMINE MOTORS REGULARLY<br />

Motors should be checked and worn<br />

brushes should be readjusted or replaced<br />

when faulty contact causes sparking. The<br />

examination of motors should include a<br />

checkup of fuses, switches and starters as<br />

well.<br />

Overloading of circuits is contributory to<br />

fires. Fuses are standard safety devices in<br />

the prevention of fires. Each wiring circuit<br />

has a capacity which, if overloaded,<br />

would normally heat up the wires and<br />

eventually burn away the insulation and<br />

start a fire. The fuse is designed to prevent<br />

this situation by blowing when the<br />

line is overloaded. For this reason, low<br />

amperage fuses should never be replaced<br />

by those of higher amperage. They should<br />

be checked periodically to see that standard<br />

or recommended sizes are not replaced<br />

by careless employes.<br />

Extension cords or so-called temporary<br />

wiring frequently used by theatremen in<br />

displays are another extreme hazard. In<br />

the long run, anything around the theatre<br />

which calls for electricity for lamps or<br />

motors should have permanent wiring or at<br />

least be covered with underwriter approved<br />

BX cable or other standard safeguards for<br />

this purpose.<br />

Automatic devices for feeding fuel and<br />

water to boilers must be checked every day,<br />

and any failure of the mechanism to operate<br />

properly should be immediately repaired<br />

by a competent person. Care should<br />

be exercised in the handling and storage<br />

of fuel and ashes. The flues and stacks<br />

should be inspected regularly and cleared<br />

of all combustible material.<br />

AVOID FLIMSY<br />

DECORATIONS<br />

In the theatre proper, lightweight draperies<br />

or other flimsy decorative material<br />

on walls, the stage or in the lobby, should<br />

be avoided. In the event that such materials<br />

are used, they should be treated with<br />

an approved flame-proofing compound.<br />

These compounds should always be applied<br />

by competent and experienced persons.<br />

Once a fire gets under way. the exhibitor's<br />

first line of defense is efficient and<br />

properly working fire-fighting apparatus,<br />

maintained in A-l working condition, for<br />

At the first out-<br />

.IP* ''"- '/Sbi*<br />

break of fire this<br />

:<br />

automatic<br />

extinguisher<br />

fire<br />

goes<br />

into action, spray-<br />

ing a powerful<br />

'<br />

»''<br />

tm'^<br />

fluid directly on<br />

;>'' .<br />

the fire, and ere- i*'<br />

ating a blanket<br />

'<br />

of fog which<br />

smothers the fire,<br />

i<br />

The manufacturer<br />

i<br />

recommends thai<br />

at least one sen- I<br />

^'..«i ''"^<br />

If<br />

^tBW'"<br />

,<br />

/or size Red i ^k wg<br />

'<br />

Comet Automatic ^"''<br />

Silver Spray wall<br />

unit be installed<br />

'<br />

for every 350 cubic feet of area. The unit requires<br />

no servicing, and the fluid is hermetically sealed.<br />

It is effective in the case of electrical fires.<br />

The Sno Fog extinguisher is hand-manipulated, with<br />

the blast directed to the nearest edge of the fire to<br />

blanket the whole area. The soda-acid type is not<br />

for electrical fires but is effective on wood, textile,<br />

paper, etc., when inverted and directed at the base<br />

of the flames, gradually working upward.<br />

On the left is the water type fire extinguisher, operated<br />

by pushing the lever down. The vapo liquid extinguisher<br />

is a double action pump type, especially<br />

recommended for electrical fires.<br />

H>4iiIlS'^[<br />

The MODERN THEATRE SECTION<br />

I<br />

\\<br />

;-^iMll

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