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FOR YOUR CONVENIENCE . . .<br />
Postage paid reply cards are provided on page 90<br />
to bring you further data on products described<br />
or advertised in this issue.<br />
WALLPAPER<br />
Continued from page 79<br />
putting out groups of three or more papers<br />
which give diversification of pattern yet<br />
are completely compatible in colorings.<br />
These will be an excellent guide for any<br />
one decorating or redecorating a theatre.<br />
Rooms completely apart from the rest of<br />
the theatre, such as smoking lounges and<br />
powder rooms, can utilize papers which<br />
have no relationship in coloring or design<br />
with the other papers in the theatre.<br />
7 7. Will wallpaper tie-in with local interests?<br />
There is a vast selection of wall paper<br />
to meet the requirements of any regional<br />
group. Some will feature motifs which<br />
bring to mind the wide open spaces of the<br />
great southwest, others show scenes from<br />
old New England or the colonial south.<br />
Wheat motifs are popular in in the midwest<br />
and river scenes are appropriate for<br />
theatres along the banks of the Mississippi<br />
and other of our great rivers. Magnolias<br />
and other semi-tropical florals are of just<br />
as much interest to the south as cactus<br />
and other desert plants are to the west<br />
and pine cones are to the inhabitants of<br />
the far north.<br />
72. Are wallpaper borders useful?<br />
Borders have many uses in theatres.<br />
They can be used as dividers to cut a toohigh<br />
wall into sections. They are good as<br />
an accent note along the narrow bulwark<br />
of a balcony, to outline the stage, as a<br />
finishing note on boxes, and in any spot<br />
which does not otherwise lend itself to<br />
more complete decoration.<br />
73. Where should bold patterns be used?<br />
Bold patterns should be used primarily<br />
in those sections where you desire dramatl<br />
points of interest—the lobby, lounge rooms<br />
and any other area not devoted to actua<br />
theatrical production.<br />
14. What can wallpaper do to camouflagi ^<br />
architectural defects?<br />
ll<br />
There are innumerable ways by which<br />
the theatre decorator can pull sleight-of-'<br />
hand tricks to get the desired effects. Ligh'<br />
colors tend to make a room seem larger<br />
while dark tones will seem to reduce the<br />
apparent area. Large sprawling pattern;<br />
also tend to decrease the size of a room<br />
Walls can be lengthened or shortened<br />
rooms can be widened or narrowed, and<br />
ceilings can be raised or lowered by the<br />
judicious use of wallpaper. Dark shades<br />
will tend to draw the wall or ceiling nearei<br />
while the lighter tones will make it seem<br />
to recede and give the illusion of more^<br />
space. A bit of experimentation will helpi<br />
|<br />
the theatre decorator achieve any desired^<br />
effect. Vertical stripes will always add<br />
height and horizontal patterns will, ol<br />
course, have exactly the opposite effect<br />
Scenics seem to push the walls back and|<br />
gives an illusion of distance and open<br />
vistas.<br />
75. How should one take care of wallpaper?<br />
In the modern air-conditioned theatre<br />
there is very little dust and the walls will<br />
stay cleaner far longer than in other types<br />
of buildings. They should be dusted occasionally<br />
with a soft brush or with an<br />
extension pipe and brush of a vacuum<br />
cleaner. Finger marks or other spots can<br />
be removed with regular dough-type wallpaper<br />
cleaner without leaving rings. For<br />
added protection in strategic spots such<br />
as around light switches, water fountains<br />
or passageways, a coat of dull finish, clear<br />
wallpaper lacquer can be either sprayed or<br />
brushed on to the surface.<br />
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82 The MODERN THEATRE SECTION'