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SENECA - College of Stoic Philosophers

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EPISTLE XC.<br />

all, and obtainable for trifling pains. For the limit<br />

everywhere corresponded to the need ;<br />

it is we that<br />

have made all those things valuable,, we that have<br />

made them admired, we that have caused them to<br />

be sought for by extensive and manifold devices.<br />

Nature suffices for what she demands. Luxury has<br />

turned her back upon nature each ; day she expands<br />

herself, in all the ages she has been gathering<br />

strength, and by her wit promoting the vices. At<br />

first, luxury began to lust for what nature regarded<br />

as superfluous, then for that which was contrary to<br />

nature ;<br />

and finally she made the soul a bondsman to<br />

the body, and bade it be an utter slave to the body's<br />

lusts. All these crafts by which the city is patrolled<br />

or shall I say kept in uproar are but engaged in<br />

the body's business ;<br />

time was when all things were<br />

<strong>of</strong>fered to the body as to a slave, but now they are<br />

made ready for it as for a master. Accordingly,<br />

hence have come the workshops <strong>of</strong> the weavers<br />

and the carpenters ;<br />

hence the savoury smells <strong>of</strong> the<br />

pr<strong>of</strong>essional cooks hence the wantonness <strong>of</strong> those<br />

;<br />

who teach wanton postures, and wanton and affected<br />

singing. For that moderation which nature prescribes,<br />

which limits our desires by resources restricted<br />

to our needs, has abandoned the field ;<br />

it has now<br />

come to this that to want only what is<br />

enough is a<br />

sign both <strong>of</strong> boorishness and <strong>of</strong> utter destitution.<br />

It is hard to believe, my dear Lucilius, how easily<br />

the charm <strong>of</strong> eloquence wins even great men away<br />

from the truth. Take, for example, Posidonius<br />

who, in my estimation, is <strong>of</strong> the number <strong>of</strong> those<br />

who have contributed most to philosophy when he<br />

wishes to describe the art <strong>of</strong> weaving. He tells<br />

how, first, some threads are twisted and some drawn<br />

out from the s<strong>of</strong>t, loose mass <strong>of</strong> wool ; next, how the<br />

409

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