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An investigation into the phenomena and practices of spiritual ...

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<strong>the</strong> piano <strong>and</strong> occasionally <strong>the</strong> guitar. The organ is situated towards <strong>the</strong> back on <strong>the</strong>right <strong>and</strong> <strong>the</strong>re is also a piano at <strong>the</strong> front on <strong>the</strong> right side. The choir usually sits to <strong>the</strong>back <strong>of</strong> <strong>the</strong> church near <strong>the</strong> organist.COGIC services commonly resound with spirited expressions <strong>of</strong> emotion <strong>and</strong>powerfully hypnotic music employing repetitive chanted phrases. These melodies areseen as expressing <strong>the</strong> emotions <strong>of</strong> <strong>the</strong> soul <strong>of</strong> <strong>the</strong> people <strong>of</strong> African descent.According to Harvey (2005) ordinary gospel hymns are transformed to a song that istypically African in its accompaniment with clapping h<strong>and</strong>s, feet tapping <strong>and</strong> singingstyle.The literature on <strong>the</strong> <strong>the</strong>rapeutic effects <strong>of</strong> <strong>the</strong> specific music that is played in ei<strong>the</strong>rchurch is limited, although <strong>the</strong> respondents, particularly <strong>the</strong> organist in <strong>the</strong> URC, gaveclear indications <strong>of</strong> <strong>the</strong>ir belief in <strong>the</strong> <strong>the</strong>rapeutic effect <strong>of</strong> music. Worship music isbelieved to make a contribution to <strong>the</strong> healing process <strong>and</strong> <strong>the</strong> healing process in <strong>the</strong>services is enhanced through worship music. Rice <strong>and</strong> Huffstattler (2001) sum up musicas being an organic part <strong>of</strong> daily life. They suggest worship music disappeared <strong>and</strong>reappeared over time in <strong>the</strong> early <strong>and</strong> modern Christian church.The Pentecostal style <strong>of</strong> worship music is one where <strong>the</strong>re is a „b<strong>and</strong>‟ or group <strong>of</strong>different instruments that accompanies <strong>the</strong> praise <strong>and</strong> worship music. Although <strong>the</strong>re isnow more acceptance <strong>of</strong> having a b<strong>and</strong> <strong>of</strong> musicians in <strong>the</strong> non-Pentecostal churches<strong>the</strong> concept <strong>of</strong> praise <strong>and</strong> worship teams has not yet arrived on a large scale in manynon-Pentecostal churches. The URC congregation in <strong>the</strong> study has not adopted thisstyle <strong>of</strong> worship.297

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