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An investigation into the phenomena and practices of spiritual ...

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The extract below from an observation <strong>of</strong> a healing service illustrates <strong>the</strong> st<strong>and</strong>ardprocess at <strong>the</strong> beginning <strong>of</strong> all URC services. The variation in a healing service comesat <strong>the</strong> end <strong>of</strong> <strong>the</strong> service when church attendees are invited to come to <strong>the</strong> front <strong>of</strong> <strong>the</strong>church for healing through prayer <strong>and</strong> <strong>the</strong> laying <strong>of</strong> h<strong>and</strong>s.The minister enters from <strong>the</strong> vestry as <strong>the</strong> organist plays a musical rendition.He is dressed in black clerical attire. The service starts promptly on time.He welcomes <strong>the</strong> congregation <strong>and</strong> introduces <strong>the</strong> healing service.The minister reads psalms 108:1-6 from <strong>the</strong> New International Version <strong>of</strong> <strong>the</strong> bible (<strong>the</strong>pew bible) toge<strong>the</strong>r with <strong>the</strong> congregation as a call to worship. Part <strong>of</strong> <strong>the</strong> regularorder <strong>of</strong> <strong>the</strong> service is <strong>the</strong> call to worship (Jones 2002).The music seen as <strong>the</strong>rapeutic in <strong>the</strong> URC draws on a different cultural tradition, whichemphasizes a very different style <strong>of</strong> music. There is a wide body <strong>of</strong> “complementary”(Campbell 1998) <strong>and</strong> “new age” (Cottrell 2005) thought which has exaggerated <strong>and</strong>capitalised commercially on <strong>the</strong> tentative scientific work <strong>of</strong> Tomatis (1991) <strong>and</strong>Rauscher, et al (1993). This provides a secular version <strong>of</strong> narrative about <strong>the</strong> practice,<strong>the</strong>rapeutic, cathartic <strong>and</strong> hypnotic uses <strong>of</strong> music through history <strong>and</strong> in most culturesdiscussed by Priestly (1975). Within this tradition Campbell (1998) has actually called<strong>the</strong> alleged <strong>the</strong>rapeutic input “The Mozart effect”.299

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