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Changing public space

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was necessary in competition with other cities and new shopping centres at the city’s edge.<br />

By linking the shopping areas on the east and west side of the Coolsingel, a large, connected<br />

shopping area would come into existence, with a size unique for the region (dS+V et al., 1993).<br />

The municipality and Multi soon came to an agreement to co-operate in order to redevelop<br />

the Beursplein area. To avoid repetition of the Lijnbaan problems, the local government<br />

insisted on setting up a so-called <strong>public</strong>-private consortium that would own and operate the<br />

area after redevelopment. The consortium would include the main investors along with the local<br />

government itself. This way, the local government would remain responsible for the quality of<br />

the area in the long run. In addition, it reduced the risk that a private party would barter away<br />

this important part of the city centre: “Thus, the argument ran, the city would have to play an<br />

important and permanent role in this project; only then could the area’s envisioned contribution<br />

to the revitalization of the downtown commercial center be safeguarded …” (Bergenhenegouwen<br />

& Van Weesep, 2003: 81). An additional reason was that the entrance to the metro station was<br />

in the Beurstraverse. The local government wanted to make sure that the metro (a <strong>public</strong> good)<br />

would remain accessible for everybody.<br />

The consortium agreement was set up mid-1993 and included the local government and<br />

investor Nationale Nederlanden (now ING Bank). The participation of the local government is<br />

unique: no other Dutch municipality actually owns commercial retail property. Besides its usual<br />

responsibility to provide <strong>public</strong> goods, the government also acts as a private party, since it owns<br />

part of the shares. This dual role is also manifest in the municipality’s financial contribution to<br />

the daily supervision. The government pays for part of the daily operations, because the access<br />

to the metro station is located in the Beurstraverse. However, the local government also foots<br />

the bill for another share of the daily operations, simply because it is part owner of the retail<br />

complex. Besides financing, the following agreements were made (Gemeente Rotterdam, 1993):<br />

Profits and losses: these are shared in accordance with the financial contribution. The local<br />

government participates for 1/8 and the private parties for 7/8.<br />

Ownership: the Beurstraverse is owned by the consortium, but has to remain <strong>public</strong>ly<br />

accessible in accordance with the local ordinance. The metro station as well as Beursplein,<br />

Coolsingel and Van Oldenbarneveltsplaats remained municipal property. The local<br />

government has full authority in this area, but is not allowed to change its design without<br />

consent of the consortium.<br />

Rights: until completion it was prohibited for the consortium members to sell their shares to<br />

other private parties. After completion, this was only allowed with consent of all members.<br />

C&A’s pension fund Focas bought part of Nationale Nederlanden’s share immediately after<br />

completion and thus became the third consortium member.<br />

Management: the daily supervision is the responsibility of Nationale Nederlanden (now ING<br />

Bank), but is contracted out to management company Dynamis (now Actys).<br />

After the consortium was set up, the redevelopment of the Beursplein could start. T+T Design,<br />

an office closely connected to Multi, became responsible for the architectural concept and<br />

proposed the idea of a sunken underpass. Pi de Bruijn of the Architecten Cie was appointed to<br />

design the width and the shape of the street, the location, and shape of the steps and entrances.<br />

American architect Jon Jerde was selected to design the interior of the Beurstraverse. He gave it<br />

a Mediterranean flavour by using a fountain, marble, and warm-coloured materials (Figure 6.4).<br />

110

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