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Changing public space

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can also explain why certain squares are lacking in the Netherlands. The absence of large Baroque<br />

and Neoclassic squares can be linked to the unique federal state structure of the Dutch Re<strong>public</strong>,<br />

which was not ruled by a central authority. Public <strong>space</strong>s thus reflect society. This notion is not<br />

new (e.g., Gregory & Urry, 1985; see Section 1.1), but it is becoming increasingly topical because<br />

society becomes more complex and dynamic. Consequently, <strong>public</strong> <strong>space</strong> also becomes more<br />

dynamic, resulting in many redevelopment projects. David Harvey (1989: 11) states in this regard:<br />

“The vast and rapid transformations occuring since the late 19th century led people to remark<br />

that the only secure thing about modernity is insecurity …”.<br />

Besides the development of city squares, this chapter has also provided an overview of existing<br />

typologies of Dutch squares. A literature review has detected over ten different typologies that<br />

have been set up in the last century. These typologies can broadly be divided into two groups:<br />

some that focus on morphology or form and others that concentrate on function. The overview<br />

serves as input for the development of a new typology of city squares in Chapter 5. The new<br />

typology is subsequently used as a first step in the selection of case studies. Because this research<br />

is directed to investigating the relation between changing societies and changing <strong>public</strong> <strong>space</strong>,<br />

typologies based on function seem most appropriate. After all, the overview has shown that<br />

the function of a square reveals developments within and characteristics of society. Therefore,<br />

function plays a central role in the new typology of Dutch city squares presented in Section 5.2.1.<br />

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