Changing public space
Changing public space
Changing public space
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also perceive it that way; they evaluated the safety level of the city with a 7,3 (on a scale of<br />
1-10) in 2004 (Gemeente Enschede, 2006). This might account for the low rating of the Van<br />
Heekplein on the secured dimensions. One of the interviewed designers emphasised that instead<br />
of placing cameras or posing strict regulations, safety was achieved by creating an orderly and<br />
well-illuminated square. This fits within Oscar Newman’s defensible <strong>space</strong> theory discussed in<br />
Section 3.2, which emphasises that the design of <strong>public</strong> <strong>space</strong> (e.g., lighting, height of buildings)<br />
can determine the crime level without actually using direct safety measures. The level of security<br />
is higher on the Oude Markt, which suggests that a café square requires more safeguarding (at<br />
least in terms of CCTV) than retail or other kinds of squares. This might be explained by the<br />
predominant use of the Oude Markt in the evening and at night in comparison to other types of<br />
squares, which mostly attract people during the day. The high intensity of the Van Heekplein on<br />
funshopping shows that Enschede has been successful in strengthening the retail function of its<br />
city centre, as was outlined in the 1996 city centre handbook (Gemeente Enschede, 1996).<br />
7.5 Fear and fantasy in ’s-Hertogenbosch<br />
The Binnenstad Buiten plan was described in Section 6.5.1 as the main policy plan regarding the<br />
redevelopment of <strong>public</strong> <strong>space</strong> in ’s-Hertogenbosch. The plan was adopted in 1993 to strengthen<br />
the meeting function of the city centre by making <strong>public</strong> <strong>space</strong> more attractive. It envisioned<br />
the upgrading of the entire city centre, including the Markt and Loeffplein. When applying the<br />
dimensions of fear and fantasy to these research objects, they appear to show different profiles<br />
yet at the same time they can both be classified as themed <strong>public</strong> <strong>space</strong>s since the coverage of the<br />
lower part of the circles is larger than the coverage in the upper part (Figure 7.4).<br />
There are currently no cameras present at the Markt. According to the design plans, this will<br />
not change after the square is redesigned in 2008. Unlike neighbouring cities such as Tilburg and<br />
Eindhoven, ’s-Hertogenbosch only has camera surveillance in and around the train station and<br />
in some cafés and shops (Brabants Dagblad, 2005). With respect to the dimension ‘restraints on<br />
loitering’, the Markt also has a low intensity. There are some benches present at the square, and<br />
they will return after the square is redeveloped. The square cannot be closed off and is regulated<br />
by the local ordinance only. In contrast, the Markt shows high ratings in term of themed<br />
dimensions. There are a number of events that are being organised on the Markt, such as a beer<br />
festival and fun fair. Large electricity hook-ups already facilitate the events and the market stalls.<br />
These will be extended and incorporated in the pavement when the Markt is redeveloped. Shops<br />
with a dominant ‘fun’ nature surround the square, especially clothing and shoe shops. With<br />
respect to the presence of sidewalk cafés the Markt has a medium rating. There are a few cafés<br />
that have outdoor terraces, notably surrounding the central structure at the middle of the Markt<br />
(Figure 6.18). However, their size is relatively modest compared to the total size of the square.<br />
This can be explained by the fact that the entire Markt is used as market place twice a week,<br />
during which the terraces would need to be removed. Moreover, many cafés and restaurants are<br />
already clustered in the Uilenburg area (see Figure 6.16), which decreases the need for sidewalk<br />
cafés at the Markt.<br />
Although shaped differently than the Markt, the profile of the Loeffplein also suggests that the<br />
square can be regarded as a themed <strong>public</strong> <strong>space</strong>, as the coverage in the lower part of the circle<br />
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