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DeConick A.D

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SUPERPOWERS AND MONSTERS

Figure 3.1 Kal-El (Henry Cavill), also known as Superman, in Man of Steel (2013).

until a time comes when it is necessary to use them to save the world. He

is convinced that Clark’s real father sent him to earth for a reason, and

that Clark needs to find out what that reason is.

David Goyer and Christopher Nolan’s 2013 remake of the legendary

DC Comics story about Superman, Man of Steel , plays with trope of the

Gnostic incognito superpower, resident of an alien world, sent to save us.

In this film, Superman is not just Clark Kent hiding behind big, darkrimmed

glasses, as he is in the comic book and earlier movies. In fact,

Clark doesn’t don these glasses until the last scene in the film, when he

walks into the Daily Planet in his new reporter disguise.

Rather, throughout the film, we have watched Clark constantly disguise

himself in jobs that are “out of sight”—as a fisherman on a small

boat in the ocean, as a bartender in a loggers’ joint, as a bag handler in

the Canadian wilderness. When Lois Lane gets wind of him and wants to

track him down, she wonders how she is ever going to find someone who

has spent his lifetime covering his tracks. Little does she know that Clark

is a god hiding among us.

Eventually, Clark is found out when he ignites a Krypton distress beacon

by accident. This is how General Zod and his militia, fascist monsters

from Krypton, find Clark and begin their plan to terraform the earth.

They plan to remake the earth as Krypton, using Clark’s DNA. But to do

this, Zod first has to kill Clark. Clark’s physical powers incredibly match

his own, making this a tough job. Clark is faster than a speeding bul-

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